Andy Warhol was among the most iconic and prolific visual artists of the 20th century, a highbrow and low class culture cultivator of profound influence. The pop artist is just as recognized for his soup cans or Marilyn Monroes as he is for the silver New York "Factory" where those works were produced (while his Superstars and other celebrities milled about, glamorously bored). But Warhol was also an avant-garde filmmaker, publisher, producer and dabbler in performance art. One facet of this multidimensional career was The Exploding Plastic Inevitable, a series of traveling multimedia shows that occurred between 1966 and 1967. The shows featured Warhol's films, dancing and performances by Factory regulars and house band The Velvet Underground.
We put out a call to local artists, asking them to show us how they’d redesign an Alibi distribution box. We were subsequently showered with submissions, and we spent weeks poring over drawings, sketches, digital renderings, and mad ramblings in letters and emails. Notions of every sort sloshed across our desks, fresh from the minds of our city’s creative geniuses.