Gus Pedrotty—Gus, as he likes to be known—stopped by Alibi Headquarters to discuss a bid for mayor that began as idealistic—and some would say unlikely—but has since been transformed into one of the more vital and remarkable candidacies that have passed through this high desert city in ages.
Guests of the N.M. Pride Celebration join Weekly Alibi to party
We would like to thank everyone who visited our booth at the Albuquerque Pride Celebration and the wonderful folx running the beautiful event.
Recorded Tuesday, May 23, 2017
A world of music in one man
If you’re putting together a world music festival, fiddler/accordionist/singer/songwriter Cedric Watson gives you a head start. The Creole music that the four-time Grammy nominee produces captures the contributions of at least three continents—North America, Europe and Africa—to the steamy cultural crossbreeding of Louisiana.
Musicians comment on their place in the global scene
The term irks me like a pebble in the shoe. If it’s in the world and it’s music, literally all music is world music. Or, maybe the term applies to anything non-Western. As David Byrne says, “Western pop is the fast food of music,” so perhaps if music is complicated or has substance it’s “world.” But what about vapid French pop? World. If it comes from somewhere you’ve never been, or it’s in a language you don’t understand, world.
Performers are listed here roughly in order of appearance, starting at 6 p.m. Go to globalquerque.com for detailed information.
The festival is called ¡Globalquerque!, but it has a little addendum to its name that’s worth noting: “New Mexico’s Annual Celebration of World Music and Culture.” Yes, there are great musicians from such exotic locales as Finland, Burkina Faso and the South Valley playing their hearts out for two nights, but there are also a number of other attractions that are well worth your attention.
Healthy at the Harwood
After 12 years of feeding students at Escuela del Sol montessori, Robin Day and her husband Tom Day began selling her cooking to the public. The initial idea, she told me, was to take advantage of a semi-captive audience: parental units that are obligated to drop by the building twice a day, having been briefed by their kids on how good the food is.
It’s Wednesday at high noon. A half-dozen food trucks line the parking lot at Talin Market, and they’re ready to serve up more than the usual hot dog. I’m here to sample the goods, beginning with The Chopping Block’s soft fish taco garnished with mango salsa. I wash it down with organic limeade at Make My Lunch, then head to Oz Patisserie’s over-the-top desserts, where I’m handed one of the best crème brûlées I’ve had in town.
Occasionally (but not always) “well balanced” is a synonym for “flat”
Increasingly arresting actress Vera Farmiga (The Departed, Up in the Air) strikes out in a bold new direction, directing and starring in her first indie feature. The disarmingly intelligent spiritual drama Higher Ground is based on Carolyn S. Briggs’ memoir This Dark World: A Memoir of Salvation Found and Lost, about the author’s born-again life in an independent, evangelical Christian church. The film approaches Christianity from a very different viewpoint—neither pandering to the converted (as most religious films do) nor demonizing the religion (as many Hollywood films are apt to do).
Aaron Hendren, the Albuquerque-based writer-director of The Faithful and the Foul and Flicker, is premiering his newest film, Psycho Bettys From Planet Pussycat, this Friday and Saturday at Guild Cinema in Nob Hill. The comic rock and roll musical traces the journey of a quartet of silver-miniskirted alien babes from a male-deprived civilization who come to Earth in search of mates. The film stars local talent Katy Houska, Hannah Kaufman, Lauren Poole and Rachel Shapiro. Cast and crew will, of course, be on hand for the big event. The show starts at 10:30 p.m. on Sept. 16 and 17. In the meantime, the film’s “dirty pop” soundtrack is available for download via iTunes and Amazon. Head on over to eggmurders.com for more info.
“The Secret Circle” on The CW
To call The CW’s new supernatural soaper “Twilight, but with witches” would be incredibly reductive. It would also be pretty darn accurate. “The Secret Circle” is custom-crafted to lure the same tweens-and-their-undersexed-moms crowd as the Twilight franchise. It’s based on a young-adult fantasy series (just like Twilight). And it’s the perfect companion piece to The CW’s current Thursday night hit, “The Vampire Diaries” (which, you guessed it, is also a supernatural teen romance based on a young-adult book series). That isn’t to say, however, that “The Secret Circle” isn’t rife with guilty pleasures.
The Week in Sloth
Talking chance and divination with Teetotum
Zoology crushes it with debut album
Metal jewelry makes you feel like you’re in Blade Runner
Gallery remains active despite Lead/Coal scramble
The winners of our 19th annual Haiku Contest
Bobby Shew and John Proulx jazz up Disney
Carla Bozulich speaks an animal language
Special John Wesley Coleman III Edition
Kids’ novel is engaging and spooky for adults, too
A three-ring food circus
Growers’ markets have an oasis-like feeling to them. They’re sanctuaries of foliage, magnets for cool people and hives of activity. That effect is heightened in Socorro, where the surrounding landscape is sculpted by hot wind and sunshine. In the town’s charming plaza, cool green grass is shaded by immense cottonwood trees. On Saturdays, when the market is in full swing, it feels like a festival—or a barter fair.
Portland may be considered beer heaven, but forgive me if I spend eternity in beer purgatory here in Albuquerque. Portland (the hipster city, not the lobster city) is reputed to have 30 breweries in a city of 580,000 residents. Albuquerque is catching up quickly with three more breweries looking to open in the coming months. The only question is whether our city has enough craft drinkers to support that growth.
John Sayles dramatizes (and occasionally melodramatizes) the Philippine-
John Sayles is as close to an indie film demigod as the movie industry has got. He’s been a consistent, distinctive and fiercely independent storyteller—from his 1979 writing-directing debut Return of the Secaucus Seven straight through his lengthy string of art-house dramas (Baby It’s You, The Brother From Another Planet, Matewan, Eight Men Out, City of Hope, Passion Fish, Men of War, The Secret of Roan Inish, Lone Star, Sunshine State). With his latest, Amigo, the quirky-brilliant auteur indulges his love for history by crafting an epic-yet-intimate fictional account of the rarely-if-ever-dramatized Philippine-American War.
“Ringer” on The CW
The CW—being the young, impatient network that it is—looks like it’s going to be the first to get its new fall season off the starting blocks. The first and best of the four shows debuting this month from CW is the much-anticipated Sarah Michelle Gellar vehicle “Ringer.” Gellar built up a lot of good will and a major fan base thanks to the seven seasons she spent on The WB (not to be confused with The CW) network’s “Buffy the Vampire Slayer.” Though “Ringer” isn’t quite in the supernatural-drama-action-comedy genre that “Buffy” was, it boasts enough entertaining elements to carry it through its first season with ease.
The Week in Sloth
Native activists protest a ski resort’s wastewater pipeline
Radio project reaches out to inmates and their families, breaking the silence around America’s prisons
Dark Irish comedy finds humor in murder, drugs, blackmail and hookers
The term “black comedy” has become a bit shopworn of late, covering a wide variety of films from mildly edgy dramedies to movies with a truly morbid sense of humor. So let’s try and expand the designation a bit and call The Guard a dark gray comedy. It’s a fitting label, as the film takes place in the dingy, cloud-covered environs of coastal Ireland. And you couldn’t mistake its sense of humor for the lighthearted, good-natured laughs of a Tom Hanks comedy. Put it on a shelf next to other self-mocking, hardscrabble Irish comedies like Neil Jordan’s movie The Butcher Boy or Martin McDonagh’s stage play The Lieutenant of Inishmore, however, and you’ll find a fitting kinship.
Who’s in and who’s out
Out: Charlie Sheen. In: Ashton Kutcher. This is the most painfully obvious transition of the upcoming fall 2011 season. In one of the most high-profile (and well-tweeted) Hollywood feuds of all time, “Two and a Half Men” producer Chuck Lorre booted troubled actor Charlie Sheen. And hired Ashton Kutcher to replace him. Sheen is busy shopping his TV adaptation of the Adam Sandler film Anger Management. So far, no network seems interested in even bankrolling it. Kutcher, meanwhile, steps into a sweet, $800,000-per-episode gig. Producers have estimated (perhaps a bit optimistically) that the Sheen-less season premiere of the CBS sitcom will draw 50 million viewers. Sheen, meanwhile, got a job hosting Insane Clown Posse’s annual Gathering of the Juggalos.
Eric Morrell—an art director, set decorator and props stylist out of New York—is looking for art department interns for an upcoming feature shooting here in New Mexico. The film is described as “a low-budget 3D feature with name talent.” (I believe that translates into the Zachary Quinto-produced psychedelic horror thriller The Banshee Chapter.) The film is scheduled to film in and around Albuquerque through September. On-the-job responsibilities include: “set dressing, runs, painting, small building and graphics.” No experience is necessary, but interested candidates “must have a willingness to learn” and are expected to make a commitment for at least three days a week. If you’re interested in being part of Morrell’s art department, send a résumé and a small paragraph about why you want the job to Eric Morrell at firstname.lastname@example.org.
The Week in Sloth
A pueblo harvest
Don’t be afraid to blend your own spices
ACLU calls out Sheriff’s Department for holding an event in the Lord’s house
A mix of songs with academic themes
Fundraising for tiny texts at The Projects
Leeches of Lore kicks off an autumn tour by shredding fiercely at Burt’s Tiki Lounge (313 Gold SW) on Friday, Sept. 2. The Scrams and Skulldron open the free show, which starts around 10 p.m. (Jessica Cassyle Carr)