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The constants in those recordings, though, are Condon’s love affair with melody and his ear for the right sound in the right place. For the latest Beirut release, The Rip Tide, Condon focused on those elements, hoping to distill his own sound from the multigenre cocktail. He’s succeeded in creating his most personal and arguably his most beautiful and mature work to date.
Le Chat Lunatique goes to Colombia
Fest spotlights new wave of Native musicians
National program rounds up local cows
The freshest fine dining in New Mexico
Eco-friendly rules debated in run-up to City Council vote
Cynical political drama digs the dirt on our electoral system
We live, arguably, in the most contentious of political times. ... Granted, things were probably pretty argumentative up on Capitol Hill during the Civil War—but America didn’t have 24-hour cable news channels, the blogosphere and talk radio back in the 1860s, so the volume was considerably lower. Today, it’s turned up to 11, with Republicans and Democrats seemingly unable to agree on whether puppies and kitties are cute. (And subsequently, having every pundit in the nation turning “puppygate” into the next major scandal.) By all indications, the American public is getting pretty tired of it. As a result, right now doesn’t seem like the most advantageous time to release a film as heavily political as The Ides of March.
Southwest Gay & Lesbian Film Festival comes back with a bang
Speaking from his overburdened office less than a week before the start of the Southwest Gay & Lesbian Film Festival, festival director Roberto Appicciafoco sounds weary but enthusiastic. He admits that ticket sales for this year have “kind of blown up.” That’s an understatement. According to Appicciafoco, online sales have jumped some 500 percent from this time last year. That’s ample evidence to suspect many of the festival’s film screenings will sell out and the multitude of parties (including a brand-new opening night soiree at Bailey’s on the Beach) will be packed with happy celebrants.
“The Playboy Club” vs. “Pan Am”
You’ve heard the bad news. We aren’t going to get any new “Mad Men” episodes until next year. While the Emmy-gobbling hit sits it out for a spell, NBC and ABC are kindly stepping into the gap, providing two shows that capture the same, sexy, suave, swingin’ ’60s vibe. NBC has got the nightclub drama “The Playboy Club.” And ABC has got the airline stewardess drama “Pan Am.”
New Mexico Lawyers for the Arts is joining forces with NMedia (the newly formed New Mexico Entertainment and Digital Industry Association) for a two-day summit designed to hash out various legal and business issues related to the film industry here in New Mexico. Six special lectures and two large panel discussions will run Oct. 6 and 7 at Santa Fe’s Zane Bennett Contemporary Art (435 South Guadalupe). On Thursday, for example, a distinguished panel of film industry professionals will head the “Issues in Indie Film and Film Festivals Panel: Social and Economic Impact of Film Festivals and Film on a Community.” (Yeah, it sounds like a lawyer wrote that title.) Award-winning underground auteur Jon Moritsugu (Scumrock, Fame Whore, Terminal USA), Jacques Paisner (founder of the Santa Fe Independent Film Festival), Rich Henrich (founder of the Albuquerque Film Festival) and Frank Regano (International New Media Festival) will join representatives from the Santa Fe Film Festival, Closet Cinema and the New Mexico Department of Tourism. Evening panels at the Legal and Business Issues in Film Summit are free to the public, daytime lectures (covering topics like music copyrights and film financing) are $10. Click on the NM Lawyers for the Arts web site to RSVP (or just learn more of what’s going on).
The Week in Sloth
Tricklock’s Cloud Cover is an intimate wonder
You’re led into a dark room shrouded in black curtains and paved with AstroTurf. The sparkly green lawn is also tacked to the ceiling, which begs the question of whether you’re right-side up. The answer is that maybe you are, but you’re about to be shuffled around.
Putting the art in smart
Grab a bunch of poets, actors, dancers, musicians, professors and comedians. Assign them a topic. Set them loose on a single stage. Those are the basics of Albuquerque's Encyclopedia Show, one in a network of affiliated variety acts around the world. Add that it only happens once every two months and costs a measly $5, and you’ve got your plans for Friday, Oct. 7.
Few people know as many folks in this arts community as Summer Olsson. If you are one of those acquaintances, colleagues or Tap Room stool mates, you may have heard that she’s moved on after a great stint as arts editor at the Alibi.
Q & A with half an atomic duo
The breakfast burritos are warm. The air is crisp. And the coffee is strong enough to keep everyone awake for the Dawn Patrol. Saturday, Oct. 1, through Sunday, Oct. 9, hot-air balloon pilots will take to the skies for Albuquerque's most iconic event.
New works inflate the fiesta
Park Van Tassell and Sid Cutter aren’t household names to most of us. But to the ballooning community they ring bells like, say, DiMaggio and Jordan. With the 40th Albuquerque International Balloon Festival on the horizon, two books tell how these figures helped develop ballooning in the Duke City—along with insider views into the mechanics, history and evolution of this wildly popular event.
Forty years after Sid Cutter founded the Balloon Fiesta, 555 balloons will grace the sky in his honor. This year's event is dedicated to Cutter, 77, who died in May from stomach cancer, and includes airborne tributes to the Albuquerque balloonist who started it all.
City cash creates eco-friendly living for the working class
Art’s healing effect on mental illness
Quality that’s worth the drive
Tearjerking bromance asks, “Can you make a chick flick for dudes?”
At some point in their career, even the wackiest of comedians feel the urge to wring laughs from the least funny, most sentimental of situations. Adam Sandler dabbled in it with Funny People, playing a standup comedian with a terminal blood disease. Robin Williams, on the other hand, has wallowed in the maudlin so many times (Patch Adams, et al), he’s like a pig in mud. Most infamously of all, slapstick king Jerry Lewis wrote, directed and starred in a film so tonally at odds with itself (1972’s The Day the Clown Cried, about a circus clown at a Nazi death camp) that it’s never even seen the light of day.
“Person of Interest” on CBS
CBS does two things well: police procedurals and crappy sitcoms. Long after our civilization dies off, aliens will arrive to find cockroaches and reruns of “CSI” and “Two and a Half Men.” So it’s no surprise to see CBS’ fall season crammed with more crime shows and sitcoms. But there’s at least one standout so far—the Jonathan Nolan-created action series “Person Of Interest.”
In 1990, the annual number of murders in Juárez was in the double digits. Last year, it topped 3,000. It’s statistics like those that catch Charlie Minn’s eye. Minn used to be a sportscaster in Albuquerque, but in recent years he’s become known as a crusading documentary filmmaker. His 2010 film A Nightmare in Las Cruces, about a notoriously unsolved multiple murder in Southern New Mexico, was just released on DVD by Lionsgate. His follow-up film, the controversial 8 Murders a Day, has played in 17 cities so far and will open at the Rio Rancho Premiere Cinema on Friday, Sept. 30. Expanded screenings at the Starlight Cinema in Las Lunas and the Regal Winrock are tentatively set for Oct. 14.
The Week in Sloth
ABQ Zine Fest unfolds
You don’t need an agent to say you’re OK. You don’t require a publishing house to distribute your work. You can tell your stories, share your drawings and project your rants all over town, as easily as one, two, three. (Copy, fold, staple.) There is no one who can censor you, no genre that can hold you. This is the creative and hyper-DIY attitude of dozens of local zinesters—and counting—who are coming out of the woodwork to share their talents at the inaugural ABQ Zine Fest.
A found skate zine compilation rolls into nostalgia
As the city plays a game of red light, green light with intersection cameras, voters will have their say during the Tuesday, Oct. 4 elections. Public opinion will be taken into account, but in the end the fate of the red-light cameras rests with the City Council. The vote will be considered “advisory,” yet councilors will be hard-pressed to ignore your advice.
Councilor Debbie O'Malley, who's running unopposed this year, says the relationship between Democratic councilors and the mayor has grown increasingly strained. "The ideology starts to take over. We started seeing this first with the immigration issue." When the Council tried to get the city's budget together, the partisan divide became clear. "The budget was it. That was like, Yeah, there are Republicans and Democrats on that Council."
You've got to hear unopposed incumbent Rey Garduño talk about the International District. Most of the editorial staffers at the Alibi have had a hard time adjusting to the term that replaced the War Zone. The new name went on like a glossy coat of paint on a busted fence—or so we thought. By the end of our endorsement interview with the councilor, we were sold.
This is a tough one.
In one corner, we've got Trudy Jones, a friendly, knowledgeable councilor with few accolades and a problematic position on APD. In the other, there's Greg Payne, a lively contender who says the Council has to do more to get in front of this police-shooting issue. He's got political experience, too. But it's not all good experience.
General obligation bonds are debt the city takes on and promises to pay back with interest. These bonds are paid with property taxes, and typically, new ones are issued when old ones are paid off. That way, property taxes don’t increase.
The City Clerk’s Office is changing it up this year. You can vote at any of 49 centers throughout the city instead of being required to vote at one predetermined location on election day. (Two were yet to be announced at press time. Check cabq.gov/clerk for updates and an interactive map.) Pick the place that’s most convenient for you and head on over between 7 a.m. and 7 p.m. on Tuesday, Oct. 4.
District 4: Brad Winter
District 6: Rey Garduño
The other Stooges
Mention The Stooges, and Iggy Pop—the brash and charismatic streetwalking cheetah himself—immediately comes to mind. His self-destructive persona (onstage and off) attracted an audience like a crowd of onlookers at a horrific traffic accident. They drifted off when the bleeding stopped and the ambulance pulled away. Those few who appreciated the ferocious music stuck around to see what brothers Scott (drums) and Ron (guitar) Asheton were doing.
The Flaming Lips in Telluride
I don’t know if it was the sizable strong ales I sampled at Steamworks Brewery in Durango or the sublime fog gathering in the valley, but I could already feel the Brews & Blues Festival building toward a magical, psychedelic climax.
It seems like it was over before it even began! Rock and roll duo the Elevator Boys plays for the last time on Friday, Sept. 23. The show—opened by Great White Buffalo and Joe Cardillo (Scrams singer, performing solo for the first time)—happens at 8 p.m. at The Tan (formerly Normal Gallery, 1415 Fourth Street SW). Admission to this all-ages night of loving and fighting and rocking is $5. (Jessica Cassyle Carr)
New restaurants in a neighborhood near you
A happy problem for season-end basil and corn
When I want to store large amounts of basil, I don't make pesto. Instead, I prepare a bare-bones mixture of pureed basil, olive oil and salt, which I freeze in jars. If I want to make pesto at a later date I can always add pine nuts, cheese and garlic. But I can't remove those things from pesto if, in the middle of winter, I decide I want homegrown basil in my Thai coconut green curry.
Winners and losers confront the climb
Big opportunities for small fighters as the UFC warms up to a new weight class
French comic book artist pays cinematic tribute to a life lasciviously lived
Oh-so-French icon-cum-iconoclast Serge Gainsbourg finally gets the biopic he so richly deserves courtesy of French comic book artist Joann Sfar. Despite Gainsbourg’s legendary status in his native France, his celluloid enshrinement lags behind that of fellow singer Édith Piaf (played by Marion Cotillard in 2007’s La Vie En Rose).
“Up All Night” on NBC
“Up All Night” arrived early in the fall season with some high expectations. It’s created by “Saturday Night Live”/“MADtv” writer Emily Spivey. It stars two highly regarded sitcom vets, Christina Applegate (“Married ... With Children”) and Will Arnett (“Arrested Development”). And it features strong support work by beloved “SNL” vet Maya Rudolph. Entertainment Weekly went so far as to preordain it one of the five best new series of fall. If that’s true, it’s gonna be a loooong winter.
The Week in Sloth
Forty years of Bruce Lowney
Landmark means business
First, find yourself a job in the mailroom of a large corporation, one big enough to ensure that no one really knows who you are or what you do. Then launch yourself out of that mailroom with a special blend of hard work, feigned humility and verbal dexterity. Pick up a few skills along the way, like knitting and chanting the fight song for your boss’ alma mater. Don’t forget to stay out of romantic entanglements, even when you’re in love. (Or especially when you’re in love.) Follow these simple rules and you’ll be sitting behind a desk bigger than your bathroom in no time.
Established gallery gets a new game plan
Hidden in a nondescript cove on Fourth Street between Central and Gold, the space formerly known as 105 Art Gallery is reopening as Downtown Contemporary. Mixing old and new, this embodiment of the gallery is refreshing its motives and crafting a high-caliber debut with the upcoming concept show ca-thar-sis. Louie Va, who joined 105 directors Stacy Hawkinson and Val Hollingsworth, is heading up producing.
It’s not often that an actor gets to play a legendary leading role like Stanley Kowalski from A Streetcar Named Desire. Matt Andrade gets to do it twice—and with the same director, no less. Salomé Martinez directed Andrade more than a decade ago, and they’re teaming up again for Teatro Nuevo México’s production of Streetcar at the National Hispanic Cultural Center (1701 Fourth Street SW), Sept. 29 and 30, and Oct. 1 and 2.