Cosmic synth pop act embarks upon its maiden voyage
Eloquent jazz from below sea level
They do have an unusual collection of instruments, two vans and the ability to reshape time, although they accomplish that in different ways. The three groups will be altering perceptions at the South Broadway Cultural Center on Friday in an all-ages concert produced by AH&AH accordionist Jeremy Barnes.
The national push to unmask frankenfoods
For years, polls have shown that about 90 percent of Americans support the labeling of foods that contain genetically modified organisms. That’s about as close to a consensus as you’re going to get in this country. But amazingly, in this supposed bastion of freedom and democracy, we’re denied the fundamental right to know what’s in our food. It’s a right that more than 50 other nations, including China and Russia, offer their citizens.
Canning, drying and freezing made easy
Did city services miss calls for help from Tiffany Toribio and her family?
Toe-tapping remake dances to some mighty familiar tunes
Footloose was always kind of a dumb movie. I’m not saying I and millions of other people like me didn’t love the film. I’m just saying it’s a corny construct, what with its twinkle-toed rock ’n’ roll rebel and endless music montages. But it succeeded thanks to one of its era’s most ecstatic pop soundtracks and the Reagan administration’s prevailing attitude of repression. Back in 1984, mere months before Tipper Gore founded the Parents Music Resource Center, it wasn’t at all far-fetched an idea that evil government and religious forces could band together to outlaw rock ’n’ roll. Back then, the plot to Styx’s 1983 concept album Killroy Was Here (a postapocalyptic world ruled by music-hating evangelical fascists) seemed unlikely ... but thrillingly plausible.
An interview with the producer-
director of Hot Coffee
“American Horror Story” on FX
The idea of “Glee” writers-producers-creators Ryan Murphy and Brad Falchuk dreaming up an erotic-grotesque horror series for FOX’s envelope-pushing cable cousin FX sounds, at first, like a really bad idea. But then you might remember the duo also gave us six seasons’ worth of the FX-based plastic surgery drama “Nip/Tuck.” That show had more than its fair share of sick and twisted storylines (cannibalism, penis-free serial rapists, lobster claw babies, Brooke Shields as a stalker, Richard Burgi having sex with a couch). So, maybe they’ve got more than inspirational high school karaoke in them.
Peace and Security Funders Group is sponsoring an exclusive sneak peek preview this Friday, Oct. 14, of “Peace Unveiled.” The documentary follows three courageous Afghani women—a parliamentarian, a midwife and a young activist—who organize to ensure female rights in their country. Narrated by Tilda Swinton, “Peace Unveiled” is one part of the upcoming five-part documentary series “Women, War & Peace” to be broadcast on PBS this fall. The screening will take place at La Fonda Hotel’s Santa Fe Room and will be followed by a discussion with producer/philanthropist Abigail E. Disney. This screening and discussion is free and open to the public. RSVP is required, however, so you need to contact email@example.com to secure a seat.
The Week in Sloth
Carolyn Cooke’s novel is a study in jumbled nostalgia
Eco-friendly rules debated in run-up to City Council vote
Welcome back to Best of Burque Restaurants! This is your chance to feast upon nearly 100 lip-smacking categories of the best food in Albuquerque, selected through thousands of votes cast by voracious Alibi readers just like you. Your Best of Burque votes reward local businesses with hard-earned recognition. As long as you keep eating and voting, we'll be able to amass these indispensable guides to the best food our city has to offer. Dig in!
Lunch + dinner
The filling foods hall of fame
The tasty leftover bits
National program rounds up local cows
The freshest fine dining in New Mexico
Cynical political drama digs the dirt on our electoral system
We live, arguably, in the most contentious of political times. ... Granted, things were probably pretty argumentative up on Capitol Hill during the Civil War—but America didn’t have 24-hour cable news channels, the blogosphere and talk radio back in the 1860s, so the volume was considerably lower. Today, it’s turned up to 11, with Republicans and Democrats seemingly unable to agree on whether puppies and kitties are cute. (And subsequently, having every pundit in the nation turning “puppygate” into the next major scandal.) By all indications, the American public is getting pretty tired of it. As a result, right now doesn’t seem like the most advantageous time to release a film as heavily political as The Ides of March.
Southwest Gay & Lesbian Film Festival comes back with a bang
Speaking from his overburdened office less than a week before the start of the Southwest Gay & Lesbian Film Festival, festival director Roberto Appicciafoco sounds weary but enthusiastic. He admits that ticket sales for this year have “kind of blown up.” That’s an understatement. According to Appicciafoco, online sales have jumped some 500 percent from this time last year. That’s ample evidence to suspect many of the festival’s film screenings will sell out and the multitude of parties (including a brand-new opening night soiree at Bailey’s on the Beach) will be packed with happy celebrants.
“The Playboy Club” vs. “Pan Am”
You’ve heard the bad news. We aren’t going to get any new “Mad Men” episodes until next year. While the Emmy-gobbling hit sits it out for a spell, NBC and ABC are kindly stepping into the gap, providing two shows that capture the same, sexy, suave, swingin’ ’60s vibe. NBC has got the nightclub drama “The Playboy Club.” And ABC has got the airline stewardess drama “Pan Am.”
New Mexico Lawyers for the Arts is joining forces with NMedia (the newly formed New Mexico Entertainment and Digital Industry Association) for a two-day summit designed to hash out various legal and business issues related to the film industry here in New Mexico. Six special lectures and two large panel discussions will run Oct. 6 and 7 at Santa Fe’s Zane Bennett Contemporary Art (435 South Guadalupe). On Thursday, for example, a distinguished panel of film industry professionals will head the “Issues in Indie Film and Film Festivals Panel: Social and Economic Impact of Film Festivals and Film on a Community.” (Yeah, it sounds like a lawyer wrote that title.) Award-winning underground auteur Jon Moritsugu (Scumrock, Fame Whore, Terminal USA), Jacques Paisner (founder of the Santa Fe Independent Film Festival), Rich Henrich (founder of the Albuquerque Film Festival) and Frank Regano (International New Media Festival) will join representatives from the Santa Fe Film Festival, Closet Cinema and the New Mexico Department of Tourism. Evening panels at the Legal and Business Issues in Film Summit are free to the public, daytime lectures (covering topics like music copyrights and film financing) are $10. Click on the NM Lawyers for the Arts web site to RSVP (or just learn more of what’s going on).
The Week in Sloth
The constants in those recordings, though, are Condon’s love affair with melody and his ear for the right sound in the right place. For the latest Beirut release, The Rip Tide, Condon focused on those elements, hoping to distill his own sound from the multigenre cocktail. He’s succeeded in creating his most personal and arguably his most beautiful and mature work to date.
Le Chat Lunatique goes to Colombia
Fest spotlights new wave of Native musicians
Tricklock’s Cloud Cover is an intimate wonder
You’re led into a dark room shrouded in black curtains and paved with AstroTurf. The sparkly green lawn is also tacked to the ceiling, which begs the question of whether you’re right-side up. The answer is that maybe you are, but you’re about to be shuffled around.
Putting the art in smart
Grab a bunch of poets, actors, dancers, musicians, professors and comedians. Assign them a topic. Set them loose on a single stage. Those are the basics of Albuquerque's Encyclopedia Show, one in a network of affiliated variety acts around the world. Add that it only happens once every two months and costs a measly $5, and you’ve got your plans for Friday, Oct. 7.
Few people know as many folks in this arts community as Summer Olsson. If you are one of those acquaintances, colleagues or Tap Room stool mates, you may have heard that she’s moved on after a great stint as arts editor at the Alibi.
ABQ Zine Fest unfolds
You don’t need an agent to say you’re OK. You don’t require a publishing house to distribute your work. You can tell your stories, share your drawings and project your rants all over town, as easily as one, two, three. (Copy, fold, staple.) There is no one who can censor you, no genre that can hold you. This is the creative and hyper-DIY attitude of dozens of local zinesters—and counting—who are coming out of the woodwork to share their talents at the inaugural ABQ Zine Fest.
The breakfast burritos are warm. The air is crisp. And the coffee is strong enough to keep everyone awake for the Dawn Patrol. Saturday, Oct. 1, through Sunday, Oct. 9, hot-air balloon pilots will take to the skies for Albuquerque's most iconic event.
New works inflate the fiesta
Park Van Tassell and Sid Cutter aren’t household names to most of us. But to the ballooning community they ring bells like, say, DiMaggio and Jordan. With the 40th Albuquerque International Balloon Festival on the horizon, two books tell how these figures helped develop ballooning in the Duke City—along with insider views into the mechanics, history and evolution of this wildly popular event.
Forty years after Sid Cutter founded the Balloon Fiesta, 555 balloons will grace the sky in his honor. This year's event is dedicated to Cutter, 77, who died in May from stomach cancer, and includes airborne tributes to the Albuquerque balloonist who started it all.
City cash creates eco-friendly living for the working class
Art’s healing effect on mental illness
Quality that’s worth the drive
Tearjerking bromance asks, “Can you make a chick flick for dudes?”
At some point in their career, even the wackiest of comedians feel the urge to wring laughs from the least funny, most sentimental of situations. Adam Sandler dabbled in it with Funny People, playing a standup comedian with a terminal blood disease. Robin Williams, on the other hand, has wallowed in the maudlin so many times (Patch Adams, et al), he’s like a pig in mud. Most infamously of all, slapstick king Jerry Lewis wrote, directed and starred in a film so tonally at odds with itself (1972’s The Day the Clown Cried, about a circus clown at a Nazi death camp) that it’s never even seen the light of day.
“Person of Interest” on CBS
CBS does two things well: police procedurals and crappy sitcoms. Long after our civilization dies off, aliens will arrive to find cockroaches and reruns of “CSI” and “Two and a Half Men.” So it’s no surprise to see CBS’ fall season crammed with more crime shows and sitcoms. But there’s at least one standout so far—the Jonathan Nolan-created action series “Person Of Interest.”
In 1990, the annual number of murders in Juárez was in the double digits. Last year, it topped 3,000. It’s statistics like those that catch Charlie Minn’s eye. Minn used to be a sportscaster in Albuquerque, but in recent years he’s become known as a crusading documentary filmmaker. His 2010 film A Nightmare in Las Cruces, about a notoriously unsolved multiple murder in Southern New Mexico, was just released on DVD by Lionsgate. His follow-up film, the controversial 8 Murders a Day, has played in 17 cities so far and will open at the Rio Rancho Premiere Cinema on Friday, Sept. 30. Expanded screenings at the Starlight Cinema in Las Lunas and the Regal Winrock are tentatively set for Oct. 14.