Just in time for the holiday season! Win great prizes like hotel staycations and spa packages from The Remedy Day Spa and Rio Grande Bodyworks. Enter to win by voting for the prize package of your choice every day at alibi.com from November 15–December 5!
Real-life drama serves up some heavy moral questions
By Devin D. O’Leary
Compliance, the scary and controversial drama from first-time writer-director Craig Zobel, stirred up quite a bit of noise at the Sundance Film Festival earlier this year. The audience response included multiple walkouts and some contentious shouting matches during the film’s Q&A session. So what’s got audiences so worked up?
On Wednesday, Sept. 19, the KiMo Theatre will be hosting its 85th anniversary extravaganza. How about coming out and celebrating with the beautiful old gal? The night starts off with Pueblo Indian drumming and dancing at 5 p.m. on the sidewalk outside the theater. City officials will be on hand to unveil a National Register and City Landmark plaque. At 5:30 p.m., there will be an architectural tour of the renovated venue. Restored murals and a brand new silver screen are just some of the sights you will see. At 6:45 p.m. the festivities really begin with beloved local author John Nichols introducing Robert Redford’s 1988 adaptation of The Milagro Beanfield War. Nichols wrote the screenplay based on his 1974 novel, and it was filmed on location in Truchas, N.M. Rúben Blades, Sonia Braga, Melanie Griffith, Christopher Walken, Freddy Fender and John Heard are among the classy cast. The film screening starts at 7 p.m. sharp. Following the film, at 9 p.m., there will be a meet-and-greet reception in the lobby. I hear there will be cake. What’s a birthday celebration without cake? So, what’s the cost for this fabulous event, you ask? It’s free! The mayor’s picking up the tab, so get there early and grab a seat.
Maybe it’s the approaching end of the Mayan calendar. Perhaps it’s Chuck Norris’ talk about President Obama’s re-election ushering in “a thousand years of darkness.” Whatever the reason, human beings have got the apocalypse on their minds again. Never one to miss a trend, NBC jumps on the doom-and-gloom bandwagon with its new end-of-the-world-as-we-know-it series, “Revolution.”
Some background: I have been convicted (a very serious word indeed) of unemployment fraud, for underreporting part-time employment. The underreported amount was ... one dollar. I have been appealing, unsuccessfully, for six months.
Gregg Turner is alive and well in Santa Fe, and playing the hits
By Geoffrey Plant
Gregg Turner is known to most as a founding member of the Angry Samoans, a Los Angeles hardcore band that began in 1978. He is also known, perhaps, to a different slice of the population as a record reviewer for Creem Magazine (1976-1998) where he was noted for his inspired hatchet jobs on the likes of Bon Jovi, The Who and even Iggy Pop.
Laurie Anderson’s shrunk her setup and grown her sound
By Marisa Demarco
Though "Dirtday!" was initially intended to be an instrumental work, lyrics started creeping in—then a narrative, then a flood of them. "It's a long shaggy dog of a story that goes between politics, economics, dreamscapes, theories, personal stories, and it's glued together by this weird violin."
I can’t think of better imagery to represent DJ Wae Fonkey’s ‘80s disco / funk / R & B / hip-hop-based night. Bust a move with the fresh DJ and dancer on Friday, Sept. 14, starting at 10 p.m. at Blackbird Buvette (509 Central NW). (JCC)
The 2012 International Symposium on Electronic Art is soon to raise its glittering, vibrating, chattering, clicking form over the city. It has the potential to be one of the most significant events to center itself here to date.
True sensibility distinguishes the music of Slumgum, which includes Rory Cowal (piano), Dave Tranchina (bass) and Trevor Anderies (drums). Thoughtful and adventurous, the quartet makes the listener feel at home.
With the baseball season reaching its climax and the tomato plants demanding attention, it gets harder to find time for music. Nonetheless, a few albums in a variety of jazz genres have snuck past late-inning heroics and the tomato hornworms, and into the rotation this summer.
A gray snapper is split down the middle so perfectly and precisely that, after the spine is removed, the fish lies flat, flatter than any flounder. It’s arranged skin-side down with nothing but white flesh exposed, then covered in onions and a creamy, mustardy chile sauce before it’s baked into something you’ve never seen or tasted before.
A look back at the winners and losers of summer 2012
By Devin D. O’Leary
The last day of summer hits Sept. 21. But for most folks, the season has a Memorial-Day-to-Labor-Day symmetry to it: 15 glorious weekends to luxuriate in swimming pools, ice cream trucks and air-conditioned movie theaters. For the box office, however, summer petered out weeks ago, coming to a dead stop the weekend after The Bourne Legacy got released and limping forward for another three weeks on cheap-ass horror movies (The Apparition, The Possession). So, now that it’s all over, who triumphed and what got marked as a tragedy in the dog days of 2012?
Huh. Apparently, Mark Wahlberg will spend September shooting not one, but two movies in our fair state. Aside from the based-on-a-comic-book cop drama 2 Guns (with Denzel Washington), Wahlberg will also star in the based-on-a-true-story war drama Lone Survivor.
TV writer/producer/director Ryan Murphy has had a solid run of it. He went from “Popular” to “Nip/Tuck” to “Glee” to “American Horror Story.” Now, he’s trying his hand at sitcoms with “The New Normal.” Murphy’s never shied away from humor, but he’s always had the hour-long format to play in. That’s allowed him plenty of room in which to shoehorn his trademark social criticism. “Glee,” for example, has about a 1:1 song-to-sanctimonious-speech ratio. Clocking in at a network-standard 22 minutes, “The New Normal” doesn’t leave a ton of room for the funny. But Ryan’s working on it.
Your favorite newsweekly invited local artists to makeover our distribution boxes. We’re unveiling the results at Boro Gallery on Friday. Danny Skinz, a style writer, tells us all about tackling his inventive box project.
This month marks 20 years of newspapering in New Mexico on the part of this mighty alternative publication. In that time, the Alibi has fostered the creation of copious art, including 1,002 covers and counting. To celebrate the milestone we decided to mull over the corpulent archives and curate a little show that looks back on two decades. Along with the collection of our favorite covers, other mementoes and office curiosities will be sprinkled in for good measure. Find out just how hostile staffers can become when someone takes the last of the coffee and neglects to make more.
Marty Crandall is the vocalist and one of three guitarists in Albuquerque shoegaze quintet Sad Baby Wolf. The band includes fellow ex-Shin Neal Langford, Marty’s brother Maury Crandall (ex-Giranimals), Sean McCullough (ex-Oktober People) and Jason Ward (ex-Starsky). On Friday, Aug. 31, Sad Baby Wolf observes its tour kickoff with a show at Low Spirits (2823 Second Street NW). CanyonLands and The Deadtown Lovers play the opening spots at the 21-and-over event.
Wry, wistful romantic comedy breaks up with Hollywood tradition
By Devin D. O’Leary
Celeste and Jesse are the perfect couple. They’re inseparable. They finish each other’s sentences. They annoy their friends with their endless inside jokes. The only problem is they’re not a couple. Not anymore. They’ve been separated for six months and are getting ready to divorce one another. Not that you could tell by looking at them. This creates a problem for their many mutual friends, who find the non-couple’s clingy, codependent relationship just plain weird.
At this point it’s hard to tell which new fall shows will be good and which will be awful. But what’s to stop us from making snap judgments based entirely on cast, concept and the teaser trailers available on YouTube?
The New Mexico Filmmakers Showcase is returning to Guild Cinema, Oct. 12 through Oct. 14. The annual event is designed by the New Mexico Film Office as a way to spotlight the creative talent of local, independent filmmakers. It’s a first-come, first-served platform for artist of all levels, screening films of just about any length or genre. The best works will be selected to participate in a tour of theaters and public access channels around the state. So, if you’ve got a short, feature, documentary, animation, experimental film or whatever, and you’d like to nab a little local exposure, here’s your chance. Entering your film is free. The deadline is Friday, Sept. 14, at 5 p.m. Entries postmarked after that deadline will not be accepted. To download an entry form, go to the revamped Film Office website.