Gus Pedrotty—Gus, as he likes to be known—stopped by Alibi Headquarters to discuss a bid for mayor that began as idealistic—and some would say unlikely—but has since been transformed into one of the more vital and remarkable candidacies that have passed through this high desert city in ages.
Polarizing issue of immigration has its origins exposed in historical doc
“Red Widow” on ABC
Poor Marta Walraven, she’s a harried wife and mother. Her youngest son just got expelled for bringing a handgun to school. Her parents are acrimoniously divorced. Her dad is an infamous Russian mobster. And her criminally entangled husband just got murdered. Her one advantage is the fact that she’s played by sinew-powered actress Radha Mitchell (Silent Hill, Pitch Black, High Art).
“Everything was destroyed, see?” says Chris Keller, the protagonist of Arthur Miller’s All My Sons, as he recalls to his fiancee, Ann, his experiences in World War II. “But it seems to me, that one new thing was made. A kind of ... responsibility. Man for man.”
Alibi’s film editor analyzes the top five Oscar races
Evidence at hand says familiar documentary subject deserves one more look
ArtBar founded to fund Albuquerque artists
Plumbing the inner reworkings of redux
Paddy Rawal’s OM Fine Indian Dining
It’s not like we’re lacking in options. A quick google search brings up eight different places, six of which I’ve eaten at more than once, two of which I go to regularly. That’s not counting the many that have, over the years, popped up and then faded away. And now, a ninth has entered the Albuquerque scene.
An electronic exchange with Sir Richard Bishop
Like a dispassionate alien entity, the Weekly Alibi captured many specimens of amorous artwork for its Tenth Annual Valentine's Day Card Contest. The ensuing battle was deadly and illogical with few survivors. Behold now the victorious entries.
Seasoned Actress Sobel Directs “The Seagull”
The stage is a scuffed square in the middle of a black-painted room. Rows of chairs rise around it, bleacher-style, on all four sides. No curtains or fancy sets divide those watching the action from the action itself. This is the Vortex, Albuquerque’s highly regarded community theater now in its 36th year—and, as it happens, a fitting home for the stripped-down intimacy of Anton Chekhov’s classic drama-comedy, The Seagull.
The art and grandeur of burlesque is at its best when it's “classy,” when sexy ladies in illustrious, vibrant costumes can entertain and entice you, as the world of the mundane drifts far into the background. That’s the impression given by Gypsy Louise, burlesque legend, hall-of-famer, and performer in the 7th Annual Southwest Burlesque Showcase at the Kimo Theater this Friday and Saturday night.
Emotionally draining French drama confronts life, love and (most of all) death
“Zero Hour” on ABC
The National Treasure films weren’t good by any conventional definition of the word, but they were fun. After all who doesn’t love a globe-hopping treasure hunt—especially when it comes wrapped in a conspiracy and painted over with a few layers of historical significance? Just ask Indiana Jones. Or Tom Hanks in that Da Vinci thing. These clue-dropping treasure hunts aren’t something episodic television has had much luck recreating. But ABC’s new thriller “Zero Hour” certainly gives it the old college try. And if the pilot episode is any indication, the network might have something halfway decent on its hands.