Intimate biopic finds cinematic son hunting musical father
By Devin O’Leary
Documentary filmmaking has a certain reportorial air about it, and there’s an unspoken barrier that exists between documentarian and subject. Get too close and viewers might feel you’ve lost your objectivity. That’s not a problem that seems to concern filmmaker Stanley Warnow. After all, the subject of his film is his father.
Weekly Alibi Fetish Events is creating a wonderland for your hedonistic delight this January. Our Carnal Carnevale party will be held at a secret location within the Duke City, and we'll all be celebrating behind a mask. Dancing, kinky demonstrations, the finest cocktails, sensual exhibitions and so much more await!
At this year’s legislative session, a 60-day palaver between 70 state representatives (38 Democrats and 32 Republicans) and 42 senators (25 Democrats and 17 Republicans), there were about 1,200 bills, memorials, and resolutions representing over 50 subjects introduced, covering everything from a horse slaughtering facility (HB 90) to HB 68, intended to bring a welcome respite to all of us by shortening the political campaign.
On Thursday, March 7, The Lensic will screen 40 minutes of the PBS documentary “Half the Sky: Turning Oppression Into Opportunity for Women Worldwide.” Movie fans with short attention spans are invited to gorge themselves at the sixth annual Taos Shortz Film Fest March 7 through 10. If you can’t make the trip to Taos, you might want to check out Filmstock at the KiMo Theatre this weekend.
Reelz Channel, still testing the boundaries of its slogan “TV About Movies,” decides maybe it should try invading Syfy Channel territory with its new mini-series, the disasterrificRing of Fire. Like every Syfy movie that doesn’t involve an oversized monster mashup (Sharktopus or Boa vs. Python), Ring of Fire features an environmental disaster, a bunch of vaguely familiar TV stars and lots of CGI. Reelz takes it to the next level, though, offering us full-fledged C-list stars (sorry Debbie Gibson and Dean Cain), some more expensive CGI and a couch-busting four-hour runtime.
It began at an art party when two friends were overtaken by the music, the movements and the camaraderie surrounding them. Like a hippie commune-induced acid trip, they started projecting their minds’ reaction to what was going on around them on a piece of paper and by playing music.
How local breweries and food trucks serve each other
By Brian Haney
By only selling beer, many taprooms welcome patrons to bring food themselves, which has created opportunity for other businesses. Area restaurants offering takeout and delivery have benefited, but having so many hungry beer drinkers in one place has also provided a niche for food trucks. While most of the trucks regularly visit UNM, office buildings and other locations around town, taprooms make up a large part of their hours of operation.
During its short tenure on Central, east of Carlisle, the now defunct Filipino Kitchen was perhaps the town’s most carnivorous eatery. The restaurant space, which shares a plaza withthe Route 66 Malt Shop, is now inhabited by a new outpost of Thai Vegan, the original being on Osuna near San Mateo.
Social-media based organization seeks to highlight the benefits of supporting local business through an unconventional means: cash mobbing. Burque establishments are flooded with a group of Albuquerque residents who meet up each month to spend their money en masse.
Polarizing issue of immigration has its origins exposed in historical doc
By Devin D. O’Leary
New, PBS-style documentary by Peter Getzels & Eduardo López, tries to tackle the issue of immigration from a fresh perspective. Based on the book by award-winning journalist Juan González (“Democracy Now!”), Harvest of Empire asks one very simple question: What are these people doing here in the first place? The knee-jerk, surface-layer answer is that people from poor countries emigrate to America to make more money. Simple, no? But why are so many Latin American countries riddled with civil war, organized crime and overwhelming poverty in the first place? The answer, as in so many cases, lies in America’s neo-colonial government policy.
Friday Fright Nights continues at the KiMo Theatre with a digital high-def presentation of Alfred Hitchcock’s killer 1954 thriller Rear Window. “Breaking Bad” and a few other upcoming productions are looking for extras.
Poor Marta Walraven, she’s a harried wife and mother. Her youngest son just got expelled for bringing a handgun to school. Her parents are acrimoniously divorced. Her dad is an infamous Russian mobster. And her criminally entangled husband just got murdered. Her one advantage is the fact that she’s played by sinew-powered actress Radha Mitchell (Silent Hill,Pitch Black, High Art).
“Everything was destroyed, see?” says Chris Keller, the protagonist of Arthur Miller’s All My Sons, as he recalls to his fiancee, Ann, his experiences in World War II. “But it seems to me, that one new thing was made. A kind of ... responsibility. Man for man.”
New private club, the ArtBar is the innovative brainchild of the Catalyst Club, an organization of four men and women who met one another through the Tricklock Theater Company, where three out of the four serve as board members. Licensed to sell liquor under the non-profit club by-laws of the state of New Mexico's Alcohol & Gaming Commission, ArtBar will operate as a non-profit, private club whose mission is to raise money for the arts through the sales of the bar.
Alibi’s film editor analyzes the top five Oscar races
By Devin D. O’Leary
By the time the local news rolls around this coming Sunday night, we’ll know who the big winners are at this year’s Academy Awards. Until then, it’s just one big guessing game. But it’s a game a lot of people like to engage in. Who deserves to win? Who deserves to lose? Who got snubbed? Let’s break down the “Big Five” categories and see what the races hold.
Evidence at hand says familiar documentary subject deserves one more look
By Devin D. O’Leary
West of Memphis, the new film from Amy Berg (director of 2006’s Catholic abuse exposé Deliver Us from Evil), is a bit of a cheat. Berg didn’t exactly pull her subject out of thin air. The trial of the West Memphis Three has been the subject of not one, but three award-winning, HBO-produced documentaries by Joe Berlinger and Bruce Sinofsky. What about the infamous case of three Arkansas teens convicted of murder—mostly because they liked heavy metal and wore black—is left for Berg to explore in the wake of Berlinger and Sinofsky’s exhaustive Paradise Lost trilogy? As it turns out, a lot.
The Academy of Motion Picture Arts and Sciences is once sponsoring an officially sanctioned Oscar party at Albuquerque’s historic KiMo Theatre. New Mexico Film and Media Day will take place at the State Legislature in Santa Fe on Friday, Feb. 22.
The annual Academy Awards telecast strikes again this coming Sunday. Every year, the Academy of Motion Picture Arts and Sciences hands out golden statues to the films and filmmakers its members think are most deserving. And every year, millions of Americans wonder if they should care—and if so, how much?
It’s not like we’re lacking in options. A quick google search brings up eight different places, six of which I’ve eaten at more than once, two of which I go to regularly. That’s not counting the many that have, over the years, popped up and then faded away. And now, a ninth has entered the Albuquerque scene.