Blues, Booze and Boobs: Bob brings the party to Low Spirits
Driving across the North American continent with only a box of guitars, drum parts and the blues—and prolly the directions to dozens of roadhouses, dimly lit bars and rustic concert venues as companions—Bob Log III makes an appearance on Tuesday night at Low Spirits (2823 Second Street NW). He may or may not have his dinghy on board, but this mysterious and damn talented master of the six-string promises a jam party complete with dancing, boob-stirred drinks and lap sitting as part of the experience. Log wears a human cannonball outfit and microphone-equipped helmet during his performances. He recently chatted with the Alibi on his drive out west. The guitarist now calls Melbourne, Australia home, and stopped in the western desert to talk.
Bob Log III
AM: So this is your big summer tour, eh?
BLIII: I get to come back home to America at least once a year, and I love it. I have a blast. I’ll play anywhere there’s a room full of people drinking beer, and that’s pretty much a lot of places.
AM: How’s it shaping up?
BLIII: This one’s pretty big, man. At one point, I’m going to be doing 37 shows in a row; it’s gonna get real interesting, but I’m also gonna get real good. I’ve been practicing 17 years for this show coming up in Albuquerque. But I keep it interesting. I change it up. I don’t do set lists. I just get up there and kinda see what happens.
Bob Log III
AM: Are you touring as a solo act this time around?
BLIII: It’s just me and the car. My plan is to kidnap people. I do have an opening band for the stretch from Nashville to New Hampshire.
AM: You’re playing that legendary Silvertone guitar for this tour, aren’t you?
BLIII: I am, but I also have some Airline guitars right now too. I get acoustic guitars and put a Silvertone pickup on them, and I put a piezo-accoustic pickup on them. There are two outs, so I get a distorted sound and an acoustic sound at the same time; that way I cover every frequency a guitar can possibly make.
AM: Don’t you also play the drums at the same time?
BLIII: When I play drums, I try to sound like a tight drummer and a drunk drummer at the same time. So time becomes like a rubber band, and I can move it or change it or shape it anyway I want. All day, time rules your day … but for an hour and a half each night I get to be the master of time. For the drunk drummer, I have a kick drum and a cymbal. For the tight drummer, I use a drum machine. My two drummers kinda hate each other. I get to finger-pick on top of the fighting.
AM: That sounds kinda tense.What do you think about that kind of tension in music?
BLIII: It's really a kind of release. The first time people started banging on rocks, it was some kind of celebration. The first music—people banging on the stuff around them—probably would have been really fucking fun. I’m trying to keep music fun. That’s my job. I don’t know anything else.
AM: Besides being fun to listen and party to, some have said your act is deeply transgressive. What are your thoughts on that?
BLIII: I’m a guitar player, and I've played since I was 11. I take that seriously, but I try to turn that into a party, a guitar party. I’m trying to get people to dance, and to dance wrong. If they drop a drink and the glass breaks, I’m doing my job. People can come on stage anytime and get crazy, and I encourage that. They come up and sit on me and I bounce them around while I play. I couldn’t actually do that in normal time, but when I play guitar I get energy I don’t normally have.
AM: What about the boob references: boobs as accompanying instruments or boob-stirred scotch?
BLIII: It’s about making fun of people who use boobs to try and sell you something. I’m saying boobs are ridiculous; let’s take out the sexy, the commercial power. Let’s do something folks would never do with their boobs. I dare anyone in the audience to do it and not smile. As for the song itself, instead of writing a song about what made my day bad, I wrote a song about what made my day good. That day, a woman saw me drinking, said give me that drink and just put her boob in it. I took a sip, and that made me feel fucking better.
AM: How does that work within your music?
BLIII: It’s the blues turned into a party. It’s like Little Richard, Chuck Berry and Bo Diddley. The songs aren’t about being sad anymore … Rock and roll came around, and then I decided to put on a funny suit and throw a party. It’s hilarious, and it’s the coolest guitar you’ve ever heard.
Bob Log III performs his one-of-a-kind take on the blues at Low Spirits (2823 Second Street NW) on Tuesday, July 22, at 9pm. Doors are at 8pm, and the cover is just 8 clams.
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you so spice
Let's ride bikes, drink beer, and pretend things were simple.
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Go figure! We NEVER get Albuquerque PD to patrol our area, even after repeated acts of vandalism/destruction of property between 10/11/2009 and 11/09/2009-Krystallnacht. Then, all of the sudden on 'supermoon', an APD patrol car parks itself at an vantage point where it can watch the front of our home after 10:00pm, 07/11/2014, and guess what? During that same time period, some 'tagger' tags our fairly new cinderblock wall with graffiti! The Justice Department should polygraph all of you! Feh! View ad
Light blue Wrangler
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Rooster Roundabout: This week’s music highlights
We say goodbye ...
Last week, we said goodbye to the last surviving founding member of The Ramones: drummer Tommy Ramone. He was 65 and had been battling cancer. If you know anything about The Ramones, there really is nothing left to say, other than we'll always have the music. RIP Tommy and a safe journey to the worlds beyond. EDITOR'S NOTE: As of press time, it was also announced that legendary blues guitarist Johnny Winter passed away at the age of 70. We bid you a kind farewell, sir. Rest in peace.
Dream of the stream
It's finally here, y'all. Well, not here exactly, but you can now stream La Roux' new record Trouble in Paradise. Though the record doesn't come out till next week, this'll at least give you an opportunity to decide whether you wanna drop some coin for it. Happy listening! And since we're on the topic of album streamage, why not check out White Fence's The Recently Found Innocent over at NPR. Assuming you can't wait for it to drop on the 22nd.
If there's a fun video out there right now, Jenny Lewis' visual for “Just One of the Guys” takes the cake. The single comes off her latest solo record (The Voyager), which hits stores on July 29. What makes the video so good are probably the dude-bro performances by such notable actresses as Kristen Stewart (Panic Room), Anne Hathaway (Les Miserables) and Brie Larson (Short Term 12 (!)). Donning men's tracksuits and mustaches, it's pretty laughable and great. Have a looksie below.
Stuart Murdoch's long-in-the-works film (God Help the Girl) is finally getting its release date. Oh, and the official motion picture soundtrack too. The film hits movie theaters in the US on Sept. 5, and the soundtrack will be available in stores on Sept. 2, which isn't too far off. The Belle and Sebastian singer-songwriter wrote and directed the movie after some hefty crowd-funding and whatnot. Most of us already know that he's a great musician, but what of his prowess as a filmmaker? We'll soon find out. You can listen to a cut from the soundtrack below. PS: The film also stars Emily Browning (of Sucker Punch and Lemony Snicket's A Series of Unfortunate Events), who sings the aforementioned track.
What is a world without “Weird Al” Yankovic parodying the obsessions of his modern compatriots. If it wasn't Nirvana, it was Lady Gaga; nothing really seems to be off limits for Mr. Al. Now he's decided to take on Robin Thicke's “Blurred Lines” with a song called “Word Crimes,” which aims to teach people how to use proper grammar. The song comes off his latest record (Mandatory Fun), which is out now. But have a listen of the track below. You can also head here to see his parody of Pharrell's “Happy” or here to see his parody of Lorde's “Royals.”
Good news for good news lovers
Since you can't really find music shows on MTV anymore (unless you have weird cable channels that give you MTV 2, 3, 4, 5 …), there's little in the way of seeing interactions between various musicians on cable television. To remedy that, VH1 has come out with a new series (“SoundClash”) that puts various artists on stage together to give it more of a music festival feel. The first episode airs on July 23 and has performances from Fall Out Boy, T.I. and London Grammar. You can head to Stereogum to view those performances now. How's that for a special preview?
I first heard of Vashti Bunyan from interviews with Devendra Banhart, in which he listed her as a major influence. That was during my “freak folk” phase. Singer-songwriter Bunyan released her first album in 1970 and waited 35 years to come out with her second offering. And now, the third album approaches. Titled Heartleap, that will see the light of day in October, but you can take a listen to the record's opening track (“Across the Water”) below. Enjoy!
Talk about coming together: Over 700 independent record labels have gathered to form the “Fair Digital Deals Declaration,” which seeks to make a more cohesive and transparent policy in regards to how they deal with their artists. There are five stipulations, one of which is to support artists who oppose unauthorized uses of their music. Another stipulation is to clearly explain downloading and streaming revenues to musicians. Some labels who are taking part are Domino, Drag City, Sub-Pop, Epitaph and Saddle Creek. Head over to Billboard to read more about that.
'Member how I told yous guys that Jordan Knight (of New Kids on the Block) and Nick Carter (of Backstreet Boys) were becoming a dynamic duo (Nick & Knight)? That's still true. In fact, they've put out their debut single “One More Time.” Their self-titled album doesn't hit stores until Sept. 2, but I'm sure they wanted their single to gain traction, what with it being somewhat of a summer jam and all. Listen to the ditty below.
Attention: The first official Beatle's film in 44 years is about to commence! Academy Award-winning director Ron Howard (you know ... from “Happy Days”) is gonna direct a documentary about the band's touring years from 1960 to 1966. The surviving members and spouses of the late members have all signed off on it, so you know it's going to be fairly legit. The filmmakers are also looking for live footage of The Beatles, so who knows? Your footage could make it into the film. Head to Consequence of Sound to read more 'bout it.
The Vortex Beyond: Man or Astro-Man?
Listen up, humans of Earth: There is surf rock in outer space. Like the otherworldly music of Sun Ra, it passed through Alabama before spreading like a crazy, unavoidable virus across this material realm. If you find yourself befuddled by the possibilities, set your mind at ease by checking out Man or Astro-Man? on Sunday, July 20. It's all happening at the perfect venue for hosting excellent extraterrestrial expeditions, the Launchpad (618 Central SW).
After spending the past decade visiting the vasty deep beyond our fragile sphere, band members Birdstuff, Coco the Electronic Monkey and Star Crunch make landfall in Burque to perform tracks from their latest, greatest extra-solar transmission Defcon 5…4…3…2…1, as well as revisiting their wickedly precise and witty tuneage from the '90s, including tracks from Intravenous Television Continuum, Experiment Zero and the What Remains Inside a Black Hole comp. In conjunction with this rare, star-gazing visitation, earthbound Alabaman act Wray supports their self-titled debut with some intense sonic shoe-gazing while Portlandite harbinger of hip Sallie Ford adds a grounded but hard-rocking complement to the acute angles and blurry nebulas being traversed on stage. Tickets for this 21-plus show are 13 Federation Credits. The airlocks engage at 7pm, and the countdown commences at 8pm. Launchpad • Sun Jul 20 • 8pm • $13 • View on Alibi calendar