By Steven Robert Allen
Pillowman—In Martin McDonagh's The Pillowman, a fiction writer in a totalitarian state is questioned about his violent short stories due to their similarity with a series of strange events around town. A new production of the play, directed by Grubb Graebner, is currently playing at the Vortex Theatre (2004½ Central SE). The Vortex has a distinguished history of producing McDonagh's plays, so odds are they'll do this one justice. The Pillowman runs Fridays and Saturdays at 8 p.m., Sundays at 6 p.m. There'll be a free post-show discussion with the cast and crew on Sunday, Oct. 15. The play runs through Oct. 29. $12. 247-8600.
La Puerta de la Pinta at Sol Arts
By Amy Dalness
The day after 9/11, I hung a U.S. flag from my dorm room window like so many of my fellow Americans. As I finished tacking it up, a man with a digital camera asked if he could take my picture. I agreed, and the next day my image was seen across the nation in USA Today.
The Michael Oher Story
Review by John Freeman
The Blind Side
Back in the spring of 2004, someone sent a tape to high school football scout Matt Lemmings. The film quality was bad, but he knew immediately he just had to see this kid.
After the Apocalypse
Review by John Freeman
The violence of men has always been the great sucking undertow of Cormac McCarthy’s fiction. In Outer Dark and Blood Meridian, men circled back and back to their most primal nature, as if American history—begun in anguish and bloodshed—could only end that way. With his latest novel, The Road, McCarthy reaches the ignoble finale of this regression. Swift, black, beautiful and brutal, here is a tale without a speck of hope.
National Hispanic Cultural Center
By Abi Blueher
Get into the Halloween spirit when Bram Stoker’s Dracula comes to the town ... as a ballet. That's right—we're talking vampires in tights. Directed and performed by the New Mexico Ballet Company, Dracula, which premiered in 1999 to rave reviews, is sure to be a crowd-pleasing, spooky good time. The story of the most infamous undead bloodsucker and his many victims will be performed at the National Hispanic Cultural Center (1701 Fourth Street SW), Friday, Oct. 13, at 7 p.m., Saturday, Oct. 14, at 2 p.m. and 7 p.m., and Sunday, Oct. 15, at 2 p.m. Tickets range from $10 to $26. For more information, call 292-4245 or visit www.nhccnm.org.
OutSpoken Queer Poetry
By Monica Schmitt
The slam is open to self-identified lesbian, gay, bisexual, transgender, queer and queer-questioning poets. Featuring Queer Xicana poet, Tannia Esparza. Hosted by Erin Northern.