The 10th Annual Global DanceFest, presented by the VSA North Fourth Art Center and NewArt New Mexico, returns with its spring iteration. This weekend, see The Good Dance—dakar/brooklyn by New York dance company Reggie Wilson/Fist & Heel Performance Group and Andreya Ouamba/Compagnie 1er Temps, from Senegal via Congo-Brazzaville. What does all that mean? An explosion of movement that examines the cultures of the American Mississippi River and African Congo River area and explores their similarities. Performances at the South Broadway Cultural Center (1025 Broadway SE) are at 8 p.m. on Friday and Saturday.
Ireland is a country of heartbreaking contrasts. Romanticized for its physical beauty and the humor of its people, it’s also marked by centuries of colonization and desperate poverty. In much of Irish literature, this seeming incongruity is expressed through characters who are both fiercely loyal to their home and who dream endlessly about leaving it.
Keshet Dance Company’s Ani Ma’amin at the KiMo Theatre
By Christie Chisholm
Memory is tricky. With some memories, we owe it to ourselves and those around us to mull over and share them, at which point they stop being memories and become information. And eventually, as they pass from one person to the next, from one generation to the next, they lose their immediacy and, in many ways, their effectiveness. They become history—and we all know what happens to those who don’t learn from history.