NHCC’s resident word-slinger will join Southwest Shootout
Joaquin Zihuatanejo radiates enthusiasm. When I was introduced to him at a poetry reading two weeks ago, he looked like a kid who just got a great present. In fact, he did: Zihuatanejo won an artist residency at the National Hispanic Cultural Center, which pays for him to live in Albuquerque for a month and work on his various artistic projects. Not only did he perform the night we met, but, serendipitously, he’ll be here during the Southwest Shootout regional poetry slam (see this week’s issue). Zihuatanejo spoke by phone about the irons he has in the fire and his plans for the slam.
I always want to see more art in the streets. Sometimes I walk past a banged-up paper distribution stand, electric box or dumpster and I think, Man, I could sure make that look cooler. I bet you do too. Since we just had a contest for writers (“Thanks for Flashing Us,” pg. 26 of this week’s issue), we thought we’d have a little fun with visual artists. We also need to do something to spruce up some of these old Alibi boxes.
Slam poets shoot each other with words
Poets from around the country will take aim and fire at one another, turning Albuquerque into an O.K. Corral of lyricism. The 2011 Southwest Shootout features wordsmiths from Louisiana, Colorado, Texas and, of course, New Mexico performing their particular flavor of poetry.
Taco and a Haircut, Two Bits
Fades are out, Rough Edges are in
This month's tasty (and tasteful) exhibition at Ace Barbershop, Rough Edges, features the beefy, cheesy works of Gabriel Luis Perez. The taco and cheeseburger art—or more precisely, painted collages of beef, lettuce and tortilla colors—has inspired fresh gab topics in the tiny Downtown shop.
Skulls and Sickles: The Visual Rhetoric of Death in ASARO's Woodblock Prints at UNM Zimmerman Library
When the regional Mexican government violently put down a peaceful teacher’s strike in Oaxaca de Juárez in 2006, the brutality of the police inspired a group of artists in the community to form themselves into a collective called the Assembly of Revolutionary Artists of Oaxaca (ASARO) to protest the bloodshed. Two current exhibits in Albuquerque showcase their work. One exhibit at the National Hispanic Cultural Center was curated by the University Libraries and Learning Sciences Curator of Latin American and Iberian Collections Suzanne Schadl and her graduate student Michael de la Rosa. One at the Herzstein Gallery on the second floor of Zimmerman Library on the UNM campus was curated by graduate student Megan Jirón. She writes “Unlike the European or Anglo-American perspective, Mexico’s inhabitants embrace death. They confront it with a sense of playfulness, defiance and acceptance.”
Above the East China Sea at Bookworks
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