Gus Pedrotty—Gus, as he likes to be known—stopped by Alibi Headquarters to discuss a bid for mayor that began as idealistic—and some would say unlikely—but has since been transformed into one of the more vital and remarkable candidacies that have passed through this high desert city in ages.
Guests of the N.M. Pride Celebration join Weekly Alibi to party
We would like to thank everyone who visited our booth at the Albuquerque Pride Celebration and the wonderful folx running the beautiful event.
Recorded Tuesday, May 23, 2017
Southwest farms bite the dust as “megadrought” becomes the new normal
In a dirt parking lot near Many Farms, Ariz., a Navajo farmer sold me a mutton burrito. He hasn't used his tractor in two years, he told me, and he’s cooking instead of farming because "there isn't any water." He pointed east at the Chuska mountain range, which straddles the New Mexico border. In a normal year, water coming off the mountains reaches his fields, he said.
Makin’ it do what it do for 35 years
Baritone sax player and Dirty Dozen Brass Band founding member Roger Lewis has made a 35-year career out of making the New Orleans brass band tradition vibrate at a different level. His group brought club music—bebop, swing and blues, that is—to streets previously filled with repertoires of hymns and proto-jazz, essentially modernizing the brass band.
Partake in dark, synthesized rock action with Mrdrbrd, Witchbird, Between the Lines and Geophage at Boro Gallery (Downtown at 317 Gold SW) on Friday, July 20. Admission is by donation. Festivities begin around 7:43 p.m. (JCC)
Eating up a long weekend in the Mile High City
Making the case for mass-produced food
The dinosaurs rule Mexico once again.
The Institutional Revolutionary Party, or PRI, held power in Mexico from 1929 to 2000, using strategies of intimidation, corruption and outright voter fraud to maintain its position as the country's leader. After the opposition party PAN took the presidency in 2000, the PRI became known as "the dinosaurs," representing the antiquated, undemocratic system of the past.
Swampy survival tale serves up a gumbo of the real and the fantastical
Riding high on a wave of film fest bonhomie (it snagged the Grand Jury Prize at Sundance and four awards at this years’ Cannes), Beasts of the Southern Wild is one of those wildly creative, fiercely independent, proudly idiosyncratic films that will be regarded as little more than a curiosity in the harsh light of the American cineplex. That’s a shame, really.
“Sullivan & Son” on TBS
Television has a long history of hanging out in neighborhood bars. Those watering holes have ranged from the cheerful (“Cheers”) to the skeevy (“It’s Always Sunny in Philadelphia”). TBS’ newest workplace sitcom, “Sullivan & Son,” plops us down somewhere in the middle.
The Week in Sloth
The walls ooze with sex, bleeding hearts, birds of prey, snakes and skulls. This is the patchwork visual assemblage—comprised of more than 150 pieces by 20-plus artists—that's transformed Downtown's Boro Gallery into a mind-bending hall of tattoo culture.
Desert Rose’s Durang series struggles to pin down a prickly playwright
Carnal island tale gives new meaning to “coming of age”
SouthWest Rural Theatre Project ain’t afraid of small-town drama
When Leslie Joy Coleman was an undergrad at New Mexico Highlands University, she had an experience that forever changed her understanding of theatergoing. Her professor arranged for buses to bring students from outlying schools to see You’re a Good Man, Charlie Brown. “The show was supposed to start in the dark, and the light cue would come on one of the first lines,” Coleman says. “So here we go, we’re going to start the show. Down come the house lights, and as soon as it goes completely dark, all the kids start hootin’ and hollerin’. We tried to start, but you couldn’t hear the first lines over the noise. And standing there in the dark, I thought to myself, They’ve never been exposed to this, so they don’t know.” That's when Coleman, who grew up north of Las Vegas, N.M., realized how little experience rural communities can have with theater.
How exploitation in health care’s history informs medicine today
Regina Carter’s Reverse Thread
A round of applause, please, for the John D. and Catherine T. MacArthur Foundation, which had the intelligence and good taste to award violinist Regina Carter a MacArthur Fellowship (aka “Genius Grant”). Carter used part of that substantial and unexpected windfall—the grant pays out $500,000 over five years—to fund a project that had been steeping in her imagination for years: a world music album.
Sex, drugs and rap pop
Never believe those who say nothing good is happening musically in Albuquerque. They have given up. Small venues and performance spaces abound, vibrating with strange sounds for a few hours nearly every day. For months, touring and local musicians have performed in a small room in the back of a house Downtown. The unassuming Moldspores has been consistently curating lineups with a loose thematic connection. With no pressure to churn out shows like a sonic grist mill, Moldspores events deliver experimental, exciting and irregular performances.
Observe this superstitiously spooky Friday with a collection of Americana acts at Low Spirits (2823 Second Street NW). Cali Shaw, Wildewood, Todd and the Fox, and Jenny Wren form the local lineup. Admission is $5, and the show starts at 9 p.m. (JCC)
Middle Eastern farce finds inventive, if unrealistic, solution to religious strife
Dish Network drops AMC
Fathom Events, Turner Classic Movies and Warner Bros. are hosting a special, one-night-only event celebrating the 60th anniversary of the musical comedy classic Singin’ in the Rain. In addition to the digitally remastered film, there will be some exclusive behind-the-scenes footage and a making-of featurette hosted by TCM’s Robert Osborne. The event takes place Thursday, July 12, at 2 and 7 p.m. at Century 14 Downtown and Century Rio, and at 7 p.m. at Cottonwood 16. Tickets are available through Fathom Events.
The Week in Sloth
Carsten Stroud’s grimly satisfying tale awakens devilish mystery in a sleepy Southern town
CSA powerhouse unveils organic meals on wheels
A food truck, like a restaurant, is a logical vehicle for a farmer to add value to his or her product. It seems like an obvious idea, but until the Skarsgard Farms’ Harvest Truck got on the road, no area farms had stepped up to that plate. Now a month into this endeavor, farm/truck owner Monte Skarsgard has a contract with UNM to sell food at the Duck Pond five days a week starting in August. He says he already has plans for a fleet of trucks.
Major changes loom for the developmentally disabled
Ex-guv is ready to throw down with the donkeys and elephants
How do we make it go?
Jack Tatum’s indie pop revival
It’s the child of country and Western and rhythm and blues, the hell-raising brother of rock and roll. Rockabilly roared into its own in the mid-’50s. Its rise was propelled by Sun Records owner Sam Phillips and his work with Elvis, which essentially repackaged a black sound for a white audience. Sixty years later, outfits here in Albuquerque keep that music alive—the acoustic slap bass, the electric guitar twang and the big, jumping beat.
Read about this five-way festo in the Club Calendar write up. Why the dualism? Because this flyer, and another flyer for the show, were the only good ones submitted this week. Nice work, noise people; I hope everyone fully enjoys that which you’ve promoted so artfully. Make more poster art, everyone else. (JCC)
On a steep Nob Hill side street behind Imbibe is a tiny hole-in-the-wall kitchen, clad mostly in stainless steel. It’s called The Last Call, or TLC, and its proximity to Albuquerque’s nightlife weighs heavily on the short, funky menu. There are pickup lines attached to the taco dishes, each of which contain three tacos, or “threesomes.” The slider plate promises a “couple.”
Woody Allen’s having a wonderful time in Italy, but you’ll wish you weren’t there
Prior to 2005, when he was a strictly New York kind of guy, Woody Allen’s batting average was quite high. From 1969’s Take the Money and Run to 1987’s Radio Days, Allen pumped out an unbroken string of classic films (1987’s September was his first seriously meh effort). Even figuring in misses like 1998’s Celebrity and 2003’s Anything Else, you could put him at about a .750—pretty high for a guy who’s put out at least one movie a year since 1969.
“Perception” on TNT
TNT is assuring viewers that its new crime-solving series is “unique.” And by “unique,” they mean “more or less identical to every other quirky, offbeat, crazy-but-brilliant amateur detective on TV.” Familiarity, however, isn’t a crime—certainly not on network TV—and it doesn’t take a genius to figure out that “Perception” will score solid ratings for TNT.
With a national election looming, 2012 is a major political year. Director/co-producer Kevin J. Williams and his wife/co-producer Tamara are tapping into that zeitgeist with their independent documentary Fear of a Black Republican. The film explores why there are so few black Republicans and features interviews with such luminaries as former chair of the Republican National Committee Michael Steele, scholar Cornel West and commentators Tavis Smiley and Michelle Malkin. The film will screen locally on Saturday, July 7, starting at 7 p.m. at the African American Performing Arts Center (310 San Pedro NE, in Expo New Mexico). The married filmmakers will be on hand for a post-film Q & A. Admission is “pay what you can.”
The Week in Sloth
Landmark Musicals animates Independence Day with song and dance
It takes a special kind of nerd to appreciate the joy that is 1776. One must be equal parts musical-theater geek, history buff and lover of all things patently silly. If you’re the type that gets a kick out of seeing the Founding Fathers dancing around in funny wigs and singing whimsical songs about the Declaration of Independence, 1776 is a great pleasure.