Heartbroken—If you're one of those cynical, unromantic types, then I'm afraid there's a reason to be even more cynical this coming holiday. Despite a certain amount of ballyhoo last week, the Alibi's Midnight Movie Madness screening of My Bloody Valentine scheduled for Feb. 13 and 14 has been cancelled. Though we had hoped to provide a romance-free zone this Valentine's Day with a showing of the classic 1981 slasher flick, Paramount Pictures determined that their last surviving print of the film was unsuitable for public viewing. (Would have been nice if they'd figured that out when we booked it a couple weeks ago.) Digging up these old film prints is a difficult and often frustrating task. It's downright scary to find out that these films may soon be unavailable. Seems that the print of My Bloody Valentine has been trashed over the years and Paramount just doesn't want to let it out the doors. It's a shame, and we're sorry to have raised the hopes of all you moviegoers looking for a good old-fashioned pickaxe murder to help coax your date into your lap this Valentine's Day. Looks like you're on your own now. Again, we're very sorry for the cancellation, but we'll be back in a week or so with a new Midnight Movie Madness offering.
The Fog of War
Robert McNamara answers the question, “War: What is it good for?”
In The Fog of War, the riveting new documentary by Errol Morris (Gates of Heaven, The Thin Blue Line, A Brief History of Time), former Secretary of Defense Robert S. McNamara declares, “The human race needs to think more about killing.” While it sounds rather chilling, he's right any way you look at it. The key word here is “think.” And The Fog of War is nothing if not a think piece.
Breakin' into the Film Industry
An interview with screenwriter Julie Reichert
The year 1984 was a watershed for breakdance cinema, with the release of Breakin', Breakin' 2: Electric Boogaloo, Beat Street, Delivery Boys and Body Rock (starring a young Lorenzo Lamas). The following year saw a tiny spate of follow-up films (Krush Groove, Rappin'), but the trend (cinematically speaking, anyway) seemed short-lived.