Shock and Terror: Live!
In May, Alibi’s Midnight Movie Madness at Guild Cinema screened James Nguyen’s brilliant bit of cinematic madness Birdemic: Shock and Terror. The film continues to mesmerize and confuse audiences around the globe. There’s a special midnight screening at the legendary San Diego Comic-Con International this weekend, for example. But Albuquerque is doing them one better. We’re bringing back Birdemic for a special encore performance on Friday and Saturday, July 23 and 24—and we’ve got the film’s lead actress, the lovely and talented Whitney Moore, live in person. The good-natured Ms. Moore will participate in a Q&A before the film, discussing her experiences making the cult horror flick. The screening/Q&A starts at 10:30 p.m. Tickets are $7 at the Guild box office (3405 Central NE). To check out the film’s mind-bending, life-altering trailer, log on to the Birdemic website.
The Girl Who Played With Fire
Sequel should please fans who like it smart and sleazy
Occasionally, I run into upstanding, straight-laced, middle-American citizens who question my ability to view horror films. “How can you watch those horrible things?” they ask. Oddly enough, I’ve noticed those are the exact same people heaping praise on Stieg Larsson’s Millennium Trilogy (the massively popular The Girl ... book series). The books are basically “CSI” crossed with The Silence of the Lambs with a touch of The Da Vinci Code-style conspiracy theory thrown in for good measure. Believe me, there’s enough sick and twisted stuff going on in Larsson’s books to fill the next couple of Saw films. And yet, literate, quietly conservative older Americans who would never pay to see a slasher film don’t seem to bat an eye at any of Larsson’s grisly goings-on, turning the books into bestsellers and the subsequent films into box office hits.
“Chasing Mummies” on History Channel
Thanks to a generation of lazy television executives, it’s hard to tell what the term “reality” really means. We have reality shows (“The Osbournes”), reality competition shows (“American Idol”), docu-reality shows (“Deadliest Catch”) and uncategorizable, clearly scripted crapola that masquerades as reality (“The Hills”). All of which just begs the question: “What is real?”