Alibi V.13 No.9 • Feb 26-March 3, 2004 ››
Music to Your Ears
Several months ago, Alibi reported that Club Rhythm and Blues, sadly, was closing, at least temporarily. The news set off something of a firestorm with regard to those involved in the exceptional Nob Hill live music venue at the time, but came from an inside source and, lo and behold, turned out to be true. Club Rhythm and Blues officially closed its doors following a farewell Halloween show last year. But as further proof of reincarnation, we're happy to announce that Club Rhythm and Blues will reopen in March with a month-long series of events planned as the grand reopening celebration. The doors will open for the first time in more than four months on Thursday, March 4, to reintroduce the club to its former cast of regulars and, with a little luck, a new crop of live music fans. On Friday and Saturday, March 5 and 6, Albuquerque Blues Connection will take the stage, ushering in the first weekend of live music under the new ownership.
Outpost Productions and Weekly Alibi Present Guitarist Extraordinaire Pierre Bensusan
Neil Young and Crazy Horse
Saturday, Feb. 28; Tingley Coliseum (all ages, 7 p.m.): Neil Young has spent nearly 40 years exploring the American Dream on big-picture terms—not just the wife, car and 2.3 kids all crammed into a little house with a white picket fence, but the essence of the American experience. And as an outsider (Young is Canadian) he's been more successful than most.
A polka party brought to you by the fine folks at KUNM. Please show up so Mary B. doesn't go crazy.
Friday, Feb. 27; The Paramount (Santa Fe, 21 and over, 7:30 p.m.)/Saturday, Feb. 28; Sunshine Theater (all ages, 7 p.m.): Go ahead. It's OK to hate polka. Until you see Denton, Texas-based Brave Combo, that is. After that, hating polka—or at least Brave Combo—will be as impossible as remembering the day you were born.
Sublimely gorgeous and simple in its elegance, Norah Jones' second record is everything the 8 million people who bought her debut expected and, surprisingly, more. Teamed again with producer Arif Martin, Jones teeters on the brink of being a jazz singer through 13 tracks of intensely lovely pop, where melodies float effortlessly over quietly understated instrumentation. There are three highly effective covers here, including Tom Waits' “The Long Way Home,” but it's the songs penned by Jones herself and in the company of bassist Lee Alexander that shine most brilliantly. Buy this record.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.