Music to Your Ears
By Rachel Heisler
If you've been paying attention you already know that Club Rhythm and Blues (3523 Central NE) is reopening on March 4. This is a huge and wonderful announcement for local performers and music connoisseurs alike. Along with a regular line-up of great acts and open mic nights, Club R&B will feature its New Artist Series, hosted by yours truly.
By Michael Henningsen
Her Own Medicine; Jessica Williams Heals Herself at the Piano
Although she's been considered a significant presence on the jazz scene for decades, Jessica Williams doesn't enjoy the name recognition she deserves. Following years spent playing piano with the Philly Joe Jones Quartet and sharing stages with such luminaries as Bill Evans, Art Blakey, Dexter Gordon, Sarah Vaughn, McCoy Tyner and a host of others, not to mention her extensive discography, Williams remains largely under-recognized outside of critics and rabid fans of classic bop-influenced keyboard work.
With chops that invoke the playing of Thelonious Monk and an incredible command of the keyboard, Williams based herself in San Francisco in the late '70s, where she established herself as a powerful musical force. Inexplicably, she disappeared from record for a short time, only to re-emerge in the '80s as an acoustic soloist. And while generally identified within the bop idiom, Williams' latest album, the demure, hauntingly lovely Plays for Lovers (Red and Blue Records), is a quiet tribute to relaxing at home either with a lover or with a lover on the mind. Nine of the album's 11 tracks are jazz standards (the exceptions are John Lennon's "Love is Real" and her own "Flamenco Sketches), and all of them feature Williams alone at her piano, performing the music as though she were at home.
The Dolly Ranchers
By Rachel Heisler
Sunday, March 7; AMP House Concert (all ages, 6:30 p.m.): Ladies and gentlemen, boys and girls of all ages, welcome to one of the craziest shows on Earth. Feast your eyes on four ladies who know what putting on a captivating show is all about ... the Dolly Ranchers have all their bases covered when it comes to rockin' a crowd and getting a rip-roarin' hoe-down started.
By Michael Henningsen
Jesse Cook Nomad (Narada World)
It would be easy to write "noveau" flamenco guitarist Jesse Cook off as the acoustic guitar world's Kenny G—a Paco de Lucia for soccer moms. But Cook's versatility, polished technique and visceral command of Middle Eastern, Indian, Spanish and Moorish music make him far more intriguing than your average cracker with an instrument and the ability to make middle-aged white women swoon as if they're having some kind of cross-cultural epiphany. That's not to say that Cook doesn't employ a certain degree of the cheese factor, just that his music is worthwhile even as far as audiophiles are concerned.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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