Music to Your Ears
By Michael Henningsen
I never thought I'd think or write this, but former Toadies' and current Burden Brothers' frontman Todd (a.k.a “Vaden”) Lewis is a prima donna, crybaby, wannabe-rockstar prick. Upset because his band received three, not four, cases of Miller Lite (despite the fact that three cases were contractually agreed upon) and a bartender at the Launchpad who didn't instantly recognize him (who the fuck do you think you are, Sting?) attempted to do his job and charge $5 for a shot, Lewis extracted his revenge by insulting the Launchpad management and staff from the stage. Nice work ... for a 14-year-old. Anyway, I urge you not to buy the Burden Brothers' debut release, even though it rocks. If you really want it, I'll be happy to oblige all requests to burn copies of the disc. ... In “back From the Dead” news, the original Starsky has reformed, featuring guitarist/singer Jason Ward, bassist Wade XXX and drummer Chris Partain. The reformed Starsky will debut Friday, Aug. 13 at the Launchpad and are on-tap for Weekly Alibi Fall Crawl 2004 on Saturday, Aug. 28. And they will probably sound nothing like Pavement. ... In “Gone But Not Forgotten” news, former Drift frontman and one the best rock singers Albuquerque has ever seen, Marty York, is back on the scene with a new band. York and Black Cowboy will debut at Club Rhythm & Blues on Wednesday, Aug. 25.
By Michael Henningsen
Hot August Nights
Young Lion Chris Potter Stars at Outpost Productions' 2004 Raffle Drawing Fundraiser
It's hard to believe, considering the phenomenal level of talent Outpost Productions brings to Albuquerque—99.9 percent of the top jazz talent in the world—that the organization only conducts one fundraising event each year. It's truly one of those rare cases of getting way more than you pay for.
This year's headliner, though not yet a household name, is well on his way to graduating from Young Liondom into the elite class of saxophonists occupied by Dexter Gordon, John Coltrane, Charlie Parker and others synonymous with jazz music's sexiest brass instrument. As evidenced on his latest recording, Lift: Live at the Village Vanguard (Universal), Potter has established himself as one of the most important creative voices in the jazz world. Having cut his teeth as a sideman with Red Rodney, the Mingus Big Band and other notables, Potter has become increasingly more comfortable and powerful as a leader. Better than half the compositions on Lift are of Potter's own creation, but there's a seamless quality between his original works and tunes by Bill Stewart, Ned Washington and Mingus that speaks volumes to the 33-year-old's stature among his peers.
By Michael Henningsen
The Hives Tyrannosaurus Hives (Interscope)
Why Sweden's Hives keep getting compared to The Ramones by critics far and wide is beyond me. For one thing, The Ramones were at least half-serious about what they were doing, whereas The Hives have chosen a path that's 98.6 percent schtick. And that's fine, just as long as they intend their second album to be their last. It takes 30 minutes to get through the dozen songs included here and far less time to forget what you just heard. The collection of tunes isn't bad, but it's sure as hell no Rocket to Russia. Here today, gone tomorrow.
Alan Jackson • country
By Joshua Lee
As Ludwig von Beethoven once said, “Music is the mediator between the spiritual and the sensual life.” Those words still carry weight, even now: a thousand years later. And you'll find no better example than the incomparable Alan Jackson, whose voice and countenance rival those of the gods, as though he were hewn from the heart of the sun itself. His honky tonk tunes are swords of righteous terror and beauty which melt the eardrums of devotees, lost in reverie as they bathe in the glorious golden ambiance of his mustache. He'll be playing live at the Sandia Resort & Casino on Friday, Sept. 30. Take a gander.
Chrome Sparks • electronic, indie pop
By Joshua Lee
So Chrome Sparks apparently has a few hours open in his schedule to visit ABQ—somewhere in between juggling his gajillion other projects and fulfilling his role as busiest spacey electro-pop composer on the planet. New Mexico seems like the perfect place for those wide-open, expansive tunes of his. Maybe someone can talk him into posting up in the middle of the desert next time. Sound carries further at night and can have a a really spooky resonance. Just saying. This Friday, Sept. 30, he'll be wowing the pants off of us at Sister Bar (which is indoors, unfortunately) starting at 9pm.
Miike Snow • indie, electro-pop
By Monica Schmitt
"I change shapes just to hide in this place, but I'm sure not going to hide from this concert." Ladies and gents, I am happy to report that Miike Snow, the Swedish electro-pop band of your dreams, will be performing at our very own Historic El Rey Theater. Imagine Alt-J and Dan Black created a musically inclined love child. The result would be something like Miike Snow. If that's too foreign an analogy, you'll just have to listen for yourself at 7pm on Monday, Oct. 3. Tickets are just $25-$40 for all ages. The Mezzanine bar will be open for folks 21+.
Andrew Jackson Jihad • folk-punk • Diners • surf, indie rock • Kepi Ghoulie • punk folk
By Peter Karlsen
Once upon a time, back in 2004, in the distant land of Arizona, there was born a folk-punk band by the name of Andrew Jackson Jihad. It was a mouthful, so they decided to go by the acronym AJJ. Then they decided to formally change their name to that. Soon they'll be at the Launchpad. People in this town like to shit on the folk-punkers, but fuck those jerks. I already bought a ticket to this Launchpad show and I bet I'll be buying band merch, too. This kick-ass event starts at 8pm on Oct. 5.
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