Alibi V.14 No.6 • Feb 10-16, 2005 

Music to Your Ears

Wanna rock in the movies? Kathy Brink Casting is looking for a “white pop/rock/R&B band” for a Warner Bros. movie scheduled to be shot in the Albuquerque/Santa Fe area between March 21 and April 29. The flick is rumored to star Charlize Theron, among other Hollywood bigwigs. Interested? Shoot me an e-mail to rockstar@alibi.com. Do not call me. And no, I'm not the one who narrowed the search down to white bands only. ... Congratulations to the Oktober People, who are the only local band so far to have been officially invited to showcase at this year's South By Southwest Music Conference (according to the SXSW website, anyway) in Austin next month. Our fingers are crossed for the rest of you who submitted entries. ... In rock-u-mentary news, filmmaker Rob Nakai has finished a DVD documentary on local band Fast Heart Mart, which includes live footage, interviews and photos of the band assembled over the past five years of their existence. You can order your very own copy for a paltry 10 bucks at www.kronikindustries.com. A new CD from the band is due sometime next month. Visit http://www.myspace.com/fastheartmart for updates.

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Blue Note

American Music Club

Peter Rowan and Tony Rice tour in support of their first full-fledged album as a duo

Though they've spent plenty of time on the road together over the years, Americana icons Peter Rowan and Tony Rice had never made a full album together until late last year, when they entered the studio together with Billy and Bryn Bright on mandolin and double bass respectively to record You Were There for Me (Rounder). It's an album that begs the question, “What took you guys so long?” Indeed, the pairing seems as natural as Lennon and McCartney, Simon and Garfunkel, Flatt and Skruggs, peanut butter and chocolate.

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Music Magnified

Téada

with Cathie Ryan

Saturday, Feb. 12; South Broadway Cultural Center (all ages, 7 p.m.): Traditional Irish music continues to gather steam here in the United States. And, in large part, it's due to the near-constant emergence of high quality solo performers and groups. Add Téada (pronounced tay-da) to the latter list. The quintet have released a pair of remarkable albums on Green Linnet since forming in 2001, but they began serious and international touring only recently.

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Sonic Reducer

Ojos de Brujo Bari: Remezclas de la Casa (World Village)

Barcelona's Ojos de Brujo's international debut, Bari, very nearly made my 2004 Top 20 list. This EP, featuring six remixed tracks from said record, probably won't make the 2005 list, but it's still a worthy, eclectic adventure through rumba catalana dressed as coked-up club music for steely eyed corporate sluts who like to cut loose after-hours. Almost all of the sincerity and traditional feel that made Bari so accessible has been effectively torched off by breakbeats and trippy loops, but Remezclas ... still manages to sound exotic and ready-made for the next Matrix-like film Hollywood is bound to churn out momentarily.

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EVENT HORIZON ()

Searching for Something

¡Mayday! • Demrick • DJ Stigmata • Septicemia Records • rap, hip-hop

I’m not sure that the concept of “genre” is really relevant anymore in the realm of music. The days of “pure” music are long gone, and while this might leave some “old-heads” grumbling over message boards about the loss of “real rap” or “real jazz,” I think that for the most part this is a good thing. The possibilities are more abundant than ever before as artists dip their fingers in any number of genres and traditions. ¡MAYDAY! is one group embracing this diversity in their quest for success…
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