Alibi V.14 No.35 • Sept 1-7, 2005 

Music to Your Ears

Make Some Noise, Get Involved—Nora White, author of this week's "Spotlight" column, invites you to get involved in forming a solution to the all-ages debate. You can start by bringing your ideas to the Launchpad (618 Central SW) on Sunday, October 23, at 3 p.m., for a Musicians And Parents (MAP) meeting. The group was formed as a way to "map" out how our representatives can support a viable, nonalcoholic, all-ages music venue Downtown. And you can still submit written comments to the state Gaming Division until September 30, 2005. Send yours to PO Box 25101, Santa Fe, NM 87504-5101. Check out rld.state.nm.us/agd/ for updates on the final outcome of the hearings. For more information on any of this stuff, you can contact Nora at buddhabetties@hotmail.com.

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Jessica Cassyle Carr

Crawl Wrap

Out Of The Garage And Into The Streets

Musings on this weekend's Rocksquawk.com Music Showcase

Because we thought the Rocksquawk.com Music Showcase turned out to be totally rad, a few of us here at the Alibi thought we'd reflect on the matter.

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Paul Natkin

Music Magnified

Lyle Lovett & His Large Band

Saturday, September 3; 7:30 p.m. at the Santa Fe Opera (all-ages): Although Lyle Lovett's base has always been country music, including the influence of musicians like Guy Clark and the late Townes Van Zandt, his songwriting put him on pop and country charts alike. But both "pop" and "country" are too one-dimensional to describe Lovett. In the last two decades, Lovett has garnered a cult of Lyleophiles who feed on the genre lines he continually toes. Building on the careful lyric and melody found in Clark and Van Zandt's work, Lovett has developed a distinct, country-tinged blend of gospel, folk, blues, swing, bluegrass, jazz and pop. In the end, Lovett's success has everything to do with his literary talent and the voice he uses to deliver it. Seriously ladies, forget the huge bouffant he teased in the '80s. That voice and those songs could woo any woman. And we must be clear on one thing that is central to this cowboy's craft: Lyle Lovett is a weird man. His art is deeply invested in people's quirks and the irony of so-called normal life. Lovett is tongue-in-cheek even while singing earnestly; true Lyleophiles know there's always more than one layer to a Lovett song. His recent albums are less the odd ballads and more straight-ahead country. It's music that follows a history of smart songwriting, and although the sound is definitely country, the lyrics far surpass most of what's passing for country today. Lovett's latest album, My Baby Don't Tolerate, may tell the secret of his success: "I live in my own mind/Ain't nothing but a good time."

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Music Magnified

Black Tie CD Release Party

with Transmogrophy, Los Brownspots and Oktober People

Friday, September 2; Atomic Cantina, 10 p.m. (21-and-older), free: Guitar music has never sounded so good, as it takes the form of a side project known as Black Tie. The new local incantation is powered by Roger Apodaca (Scenester) and made possible by seven supplemental musicians assisting with vocals, drums, keyboards, cello, electronic programming and other sounds. These songs are a collection of brooding and spacey guitar-driven compositions that have the power to catapult the listener into an otherworldly state of hypnosis. And while Black Tie undoubtedly references Mogwai, integrity remains intact as the music maintains its uniqueness and conveys its own euphonious narrative. The album in celebration, At Dawn, will probably not appeal to pop fans, but will instead capture the hearts of musicians and all who appreciate indie experimentation.

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Laura Marrich

Spotlight

This is the Beginning, Not the End

An informed opinion on last week's all-ages forum

A new music movement has just begun in Albuquerque. It is made up of intelligent, creative and articulate youth who have come to the political table regarding the health of their music community, and they are demanding that their so-called leaders listen. Simply put, this can only be a good thing. The kids are more than alright.

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Sonic Reducer

Schoolyard Heroes Fantastic Wounds (The Control Group)

Washington state, home of Schoolyard Heroes, is full of the kind of thick, damp forests perfect for shooting B-grade horror films. Fitting, indeed. What we have here are 10 mathy prog-punk tracks reminiscent of the soundtrack to an old-school Nintendo game, eerily reimagined with buzzing, hyper-charged Dick Dale-style guitar riffs and thick, heavy bass lines. To this foundation, add a banshee chanteuse of the macabre (Ryann Donnelly), wailing passionate, frightful narratives about the children of the Hydra, the party habits of serial killers, undressing wounds to lick the sores and several other healthy portions of schlock cinema imagery, and you've got Fantastic Wounds. Fan-bloody-tastic.

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Flyer on the Wall

Harry from Unit 7 Drain made this flyer with only his two bare hands and Photoshop. He wants you all to know that his band (Unit 7 Drain) will play this (Friday), Sept 2, at Burt's Tiki Lounge along with Oktober People, The Mindy Set and Love Overdose. And that it's free, as always. And that you must be 21 to party. (LM)

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EVENT HORIZON (Sunday, Jun 25)

Like a Puppet on a String

Quintron & Miss Pussycat • noise, rock

The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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