Music to Your Ears
By Laura Marrich
"Euphoria" and Pulse Part Ways—New Mexico's premier gothic and industrial dance party is moving on to darker pastures, so to speak. Promoter Brad Cole says that after several years at Pulse Nightclub, "Euphoria" has been dissolved, renamed and relocated to Downtown's OPM Nightclub. The move is being engineered by Cole and resident DJs Kentifyr and Church, all of whom are deeply rooted in Albuquerque's gothic and industrial scene. And like a macabre phoenix risen from its own jet-black ashes, "this night has already gone through many types of incarnations and names, and no two are ever the same," Cole says. "It's always a little different, which is a good thing."
with Racine & Kreyol
By Simon McCormack
Saturday, Sept. 10; El Rey Theatre (21-and-older): Tiempo Libre plays the type of music that makes you feel justified for spending hours with your partner taking Latin dance classes. As Tiempo's unabashedly piquant brass and layered percussion invades your eardrums, you'll want to know the proper maneuvers when your waist (through no fault of your own) starts winding this-way-and-that. If you do not have the necessary training, don't be surprised if your hips feel like shit in the morning. Tiempo plays a unique style of Cuban music called timba, which differentiates itself from most other forms of Latin music by using a full drum set, as well as the more traditional congas and timbales, to form the rhythm section. The band's latest release, Arroz Con Mango, proves the band can go low-key by utilizing lounge-ish keyboard and cooled-out percussion. The primo Tiempo cuts, however, are filled to capacity with complex arrangements and frenzied tempos that can't help but elevate your mood. Tiempo's distinctive authenticity (which stems from the fact that each of the band's seven members are originally from Cuba) has cultivated a following in such unexpected places as Southeast Asia. As for the fear of not having the right moves on the dance floor, Tiempo's bandleader and pianist Jorge Gomez offered some comforting words to the Chicago Tribune: "We're just trying to encourage people to get up and feel free; that's the secret of timba." Just bring a few ICY HOT Sleeves™ to the show and you should be fine. Call 249-7638 for ticket information.
with The Deathray Davies and The Mindy Set
By Simon McCormack
Monday, Sept. 12; The Launchpad (21-and-older), $8: After a six-year hiatus, The Posies found themselves in a recording studio in February of 2004 with three weeks to put together a full-length release. The fruits of their labor came in the form of 2005's Every Kind of Light, a beautifully crafted, 12-song LP with a level of quality that gives no indication of the album's rushed construction. EKOL most definitely does not leave the band's past work in the dust. But The Posies are careful to avoid the treacherous path traveled by some bands that erroneously cling to a past that no longer holds any creative nectar (I'm looking at you, Sonic Youth). The band takes the playfully distraught tone of Nada Surf, and combines it with Elliot Smith-ish vocals and Weezer-esque guitar to produce eccentric tracks that never lose their pop presence. The Posies are the type of musical outfit that would get their fair share of radio play if we had more than one decent goddamn radio station in this state (KUNM can only carry so much of the burden). But never mind the lack of airtime; your chance to hear The Posies live arrives on Monday. The 21-and-older show at the Launchpad will also feature Albuquerque's The Mindy Set, whose songs should complement The Posies new, more indie sound quite nicely.
By Jessica Cassyle Carr
The Volebeats Like Her (Turquoise Mountain)
Country riffs and ballads about pretty girls, combined with '60s pop percussion and organs, create an atmosphere like that of a dance in the old high school gym. When Johnny can't muster the courage to ask Suzy to put her back into it—er, shake a leg—he huffs off to his '48 Buick to take a few swigs of hooch. Later at Inspiration Point, Johnny gets to first base. Way to go, Johnny! The Volebeats hail from Detroit, have singer/guitarist Matthew Smith in common with Outrageous Cherry and have been making country-esque pop rock since 1988. With their simplicity, lo-fi recording and tales of romantic triumph, Like Her is both nifty and swell.
Flyer on the Wall
Why the hell isn't your band's flyer here? Because you didn't post one up at alibi.com/ads, like the Ya Ya Boom Project did. They're playing an over-21 show this Saturday, Sept. 10, at Burt's with the Bellmont and the Giranimals. (LM)
A Shocking Interview with the Shock Master, Alice Cooper!
Actually, for it to really be shocking, I'd have to chop your head off
By Jessica Cassyle Carr
While Alice Cooper really needs no introduction, the rockstar-golfer-radio personality-sportsbar owner is still alive and purveying blood and guts in front of live audiences around the world. He and his guillotine will be visiting Albuquerque this week, and recently the Alibi was allocated 15 minutes to speak with him. Welcome to our nightmare.
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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Mystic Vic Blues Band at Stone Face Tavern
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