Alibi V.14 No.41 • Oct 13-19, 2005 

Music to Your Ears

The Hot Spot—Have you noticed a white plastic banner that says "The Hot Spot" draped over the Ned's Downtown sign? As of yet, it's pretty much the only indication that the bar has changed hands to new owners, but I've been told that some other (and more noticeable) changes are in the works. I spoke with the Hot Spot's VIP services director last week, and he assured me that "The Ned's spirit isn't gone, it's just changed." He said the bar's focus will shift to an ultra-lounge club with a mix of live and deejayed music, VIP seating and European bottle service (you get a full bottle of booze, plus a selection of mixers for one flat fee). He also said that he wants to do "label scouting nights," where local bands can arrange to perform in front of record label executives from some big-name companies. But maybe he was just blowing smoke up my ass on that one ... it's hard to tell. More on that later.

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Show Up!

Tanuki CD Release Party

Serious tunes to make you laugh

Bassist Chris Frain says a Tanuki is a type of "raccoon-dog" found in Japan and in parts of Northeast Asia. Frain's band Tanuki is an instrumental, psuedo-improv power trio with no interest in writing pop songs. "If we tried to write instrumental pop we'd probably be horrible at it," Frain explains. What they are good at, however, is making music that's a little odd, somewhat mischievous and, at times, pretty darn hilarious.

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Flyer on the Wall

Warm Up the Deathray, Agnes

Help Tanuki release their debut CD on Oct. 14 along with The Bellmont, Captain Standish, and Acids & Bases. 9 p.m. at the Launchpad. $5. Legal adults only. (LM)

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Jeni Sinclair

Music Magnified

The Gore Gore Girls

Thursday, Oct. 13; Burt's Tiki Lounge (21-and-over): Detroit doesn't really exist any more. It's a ghost town. Go Downtown sometime and you'll see what I mean. There are no people—just row after row of decaying tract housing, auto part graveyards and factories that produce, well, nothing. But as the American auto industry sputters, shudders and shimmies into a coma, it childrens are emerging out of the vapors at night; taking that same, sad dance and making it their own. Making it alive.

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Music Magnified

Low Skies

with Bob Collum and The Welfare Mothers, and Captain Bringdown and the Buzzkillers

Wednesday, Oct. 19; Atomic Cantina (21-and-over): The last time Low Skies (not Los Guys) played in Albuquerque, the show was a solitary performance by singer/guitarist Chris Salveter. It is rumored that the band fell apart on the road, leaving Salveter to finish the tour alone. Whether or not this is true, and perhaps it was just a metaphor for the weary bleakness of Low Skies, they/he was excellent as a one-man band.

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Sonic Reducer

Mark Eitzel Candy Ass (Cooking Vinyl)

Former American Music Club front man releases his first new album in four years: I call it "creepy" and "amazing." Others call it "sadcore." The album was created mostly by electronic apparati, and results in strange music beds and soundscapes (though Eitzel was able to collaborate with Calexico on one of the tracks). Strange and successful combinations like this one (singer/songwriter and electronica here) are hard to come by. Plus, how can you argue with songs titled "My Pet Rat St. Michael" and lines like "I play him Mariah Carey so there's butterflies and rainbows in the air?"

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EVENT HORIZON (Sunday, Jun 25)

Like a Puppet on a String

Quintron & Miss Pussycat • noise, rock

The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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