Music to Your Ears
By Laura Marrich
Where It's At—It was one of those life-affirming, “you had to be there” moments. All the planets aligned neatly into concentric rows, international superstar Beck and his boys put on a clever, enormously entertaining spectacle at the Kiva, then donned wigs and sunglasses, jogged over to the Launchpad, and played an impromptu set for locals SuperGiant's CD release show (See last week's “Show Up!,” June 22–28). They jammed for a full hour through a backline of SuperGiant's own amps and drum set. This time, the show was loose and candid. It was a damn near perfect foil to their slick Convention Center production. (We were actually close enough to see Beck's rosacea-tinted cheeks, the only splotch of color on a nearly translucent man.) White buffalo that he is, Beck closed his set with an offering of, “Thanks to SuperGiant for letting us play.” Can you imagine?
Albuquerque Fourth of July Tricentennial Celebration
Ten-time Grammy Award winner Linda Ronstadt will headline event at Balloon Fiesta Park
By Simon McCormack
“Being able to say we opened for Linda Ronstadt is definitely a nice résumé builder,” says Edward Burch, singer/songwriter and guitarist for Foma, one of the 14 bands who will rock Balloon Fiesta Park on July 4. It doesn’t hurt that Foma will be playing in front of more than 80,000 people (some of whom probably have never made it out to a show). And, thanks to the work of Tom Frouge (he’s producing the entertainment for the event), when Foma performs, more eyes will be on them than ever before.
The Santa Fe Picnic featuring Ozomatli
with Ryan McGarvey, Sol Fire and Hundred Year Flood
By Simon McCormack
Sunday, July 2, Fort Marcy Ballpark in Downtown Santa Fe (all-ages): “Ya Se Fue! Ya Se Fue! O-Zo-Mat-Li!” And with that resounding chant (which means “Ozomatli is leaving” in Ingles), the Los Angeles-based, Grammy Award-winning Latin/hip-hop band disappears into the crowd with their array of percussion instruments, leading the audience in one last rhythmic jam before putting a cap on one of the best live shows you’ll ever see.
Peter and the Wolf
By Lash Bower
Saturday, July 1, Harlow’s on the Hill (21-and-over): Red Hunter is probably a crazy genius. Making over 50 stops on a massive U.S. tour by himself, playing with local musicians and on found instruments in a “divine orchestra of junk metal?” Crazy. Doing the last 10 dates by sailboat? Genius.
with The Lilys, Human Television, The Giranimals and The Cherry Tempo
By Marisa Demarco
Let's call it happycore. Phantom Buffalo's singer and guitarist Jonny Balzano-Brookes has turned his back on fads, on the kind of music that ages poorly by being fashionable. “It's kinda weird to be conscious of this, but I think I try to make sure we're steering clear of modern trends and try to make it so that it would not sound dated in 10 years.”
Flyer on the Wall
... at Warehouse 21’s third annual Get Awesome Fest in Santa Fe. Twelve bands from near and abroad, free food, no booze or drugs. Saturday, July 1, from noon to midnight, and this one is most definitely all-ages. (LM)
The New Mexican Revolution Theories of Rain and Sun · Boston Boston · Johnny Cash American V: A Hundred Highways
By Simon McCormack
It’s a bit old-timey and the interludes of rain falling and train whistling are better at providing severe irritation than they are at, say, setting any kind of mood. Still, the album has an unmistakable warmth and (as the record’s title suggests) earthy appeal, and the rogue American genre that the band dwells in is by no means a bad one. The highlights of the EP come on tracks like “Age of Gas and Steel,” where the band shakes off the cobwebs and trades in their usual droning for a hectic, knee-slapping sing-along.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
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