Music to Your Ears
By Laura Marrich
Say Goodnight to Sonny's Bar & Grill--I just got a very heartfelt e-mail from local musician Chris Valencia that opens with the following: "On Sunday, Oct. 15, Sonny’s Bar & Grill will be closing its doors for good." Uh ... what? "After recent pressure from APD, the mayor and his effort to transform our neighborhood into the next Scottsdale, management has decided to sell their interests and move to Colorado." Oh, OK. ... Wait, what?
Flyer on the Wall
Friday the 13 th
It's an auspicious night for carousing with Left Brain, Killgracy, Lucid Illusion, Natural Reaction, Coalition and 7of9. At The District, Friday, Oct. 13, around 7 p.m. (LM)
Saxophonist Javon Jackson Makes First Visit to New Mexico
“Super Band” includes pianist George Cables, bassist Nat Reeves and drummer Jimmy Cobb
By Mel Minter
Tenor saxophonist Javon Jackson—he of the big round tone, killer rhythmic sense and elegant understatement—began his career playing with drummer Art Blakey’s Jazz Messengers. He’s also worked with a who’s who of jazz luminaries from earlier generations, including Elvin Jones, Freddie Hubbard, Cedar Walton, Ron Carter and Charlie Haden. Respectful of the tradition, Jackson brings a depth of experience and feeling to his always forward-looking work.
668: The Neighbor of the Beast CD Release Party
with The Rumfits, Dread Pirate Hotchkiss and Marsupious
By Marisa Demarco
“The Neighbor of the Beast”? It's the kind of joke that sneaks up on you. For weeks, I'd been wondering, "Why is it 668 and not 667?" Staring at the trio's bootleg cover, it dawned on me: 667 would be the house across the street—668 is right next door.
The Albuquerque Mining Company celebrates 20 fabulous years
By Amy Dalness
Disco never died—shag carpet just went out of style. The first thing Dennis (Sam) Gibson did when he opened the Albuquerque Mining Company (AMC) in 1986 was rip out the blue shag nightmare, but the disco ball remains 20 years later.
120 Days 120 Days · Fergie The Dutchess · The Lemonheads The Lemonheads
By Jessica Cassyle Carr
If you ever wanted to listen to the "Miami Vice" or "Nightrider" theme songs for entertainment without being ridiculed by your peers, you are in luck. This Norwegian delight embodies the best of that heavy keyboard-in-motion, crime-fighting feel, without the dumb plots and bad acting, all rolled into one cool indie package.
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