Music to Your Ears
By Laura Marrich
We Will, We Will Rocku--Since the first time I laid eyes on This Is Spinal Tap by Christopher Guest, I've derived way too much pleasure from watching musicians in their meteoric rise to fame and inevitable, cataclysmic fall from grace. Mock or not, rockumentaries rule. This weekend, the Santa Fe Film Festival will screen nine original films (some made right here in New Mexico!) that shine a spotlight on music. We Like to Drink: We Like to Play Rock 'n' Roll follows The Unband, three alcoholic men-children who like to play loud, lewd rock music, as shot by Tesuque-based documentary filmmaker Lexie Shabel. Dangerous Highway gives voice to the "greatest unknown musician you've never heard," guitarist Eddie Hinton. Fellini-esque Russian filmmaker Rustam Khamdamov does a study of his country's stunning operatic talent in Vocal Parallels. Novem is an honest-to-god mockumentary about a confederacy of college songwriters in the ’70s (it won the Jury Prize for best indie film in Sonoma). Bob Dylan's hometown of Hibbing, Minn., gets rifled through by Natalie Goldberg and filmmaker Mary Feidt in Tangled Up in Bob, while native musicians from northern New Mexico are the partial focus of Native Spirits: Forgotten Warriors. Finally, Life in G-Chord is the bittersweet account of Hisao Shinagawa, a Los Angeles street musician who still dreams of the stardom he chased upon first entering America in 1974. Log on to www.santafefilmfestival.com for a complete schedule of the films.
Flyer on the Wall
The Dead Electric would like nothing better than to make out with you. With Unit 7 Drain and Roman Numerals, Saturday, Dec. 9, at Burt's (21-and-over). Free. (LM)
Cuong Vu: Mixing the Menacing and the Ethereal
Trumpeter’s trio builds music on fearless trust and intuition
By Mel Minter
Trumpeter Cuong Vu attacks his instrument with a ferocious intensity usually reserved for rock guitars, and he uses many of the same electronic processors favored by adventurous guitarists from Jimi Hendrix to Bill Frisell.
Danielle St. Laurent
Drop-Kickin' It with The Faint
An interview with bass-master Joel Petersen
By Lash Bower and Amy Dalness
Two Faint fans, one Faint interview. A dilemma only determined fairly by duel. Given that duels are illegal, Lash and I went mano y mano for the right to interview bass player Joel Petersen.
Club Alegria Goes Out with Public Enemy's Bang
By Marisa Demarco
One fall day in Santa Fe, Zia Cross had just finished with her volunteer shift at the High Mayhem music festival and ran across the street to Alegria Liquor. Cross found herself chatting with George Rivera, the shop's owner. She pressed him about what he was doing with the beautiful club space, empty for three years, that’s attached to his store. Nothing, she remembers him saying. You do something.
Keith Drummond Kornfield Invalid Love · Tom Waits Orphans · Jay-Z Kingdom Come
By Marisa Demarco
He's a surly man, this Mr. Kornfield. No matter: On this disc, it's working for him. The country-fried singer/songwriter smothers typical twang with killer lyrics, the perfect balance of heartfelt and cynical. Like only the best bards can, this guy strings you pleasantly along only to turn on you with a suckerpunch of melancholy. Drummond's been in this town for a while, a part of acts like Saddlesores, Speed Queens, Jet Girls and Dueling Keiths. Maybe that history's got something to do with my favorite track on Invalid Love, "Rock-n-Roll Sucks." Check out www.kingoftheworldmusic.com or head to Natural Sound for a copy.
Dada Life Press Photo
Dada Life • electronic, house
By Joshua Lee
This is not a DJ duo from Sweden. Wait. No. Actually, it is. Sorry, I got carried away. Dada Life is one of the biggest DJ acts in the world. I don't really know what that entails, though, to be honest. It involves dancing, I think. And auto-tune. But I don't really care, because these guys are hilarious. Their logo is a champagne bottle flanked by two peeled bananas. They have press photos involving pastel suits and Sears family photo-style ambiguous cloudy backgrounds, and one showing member Stefan Engblom shoving an oversized piece of meat into member Olle Cornéer's straining face while giving words of encouragement. That's funny. And anyone that funny deserves a show of your support, which you will have a chance to display when they come to The Stage this Friday, Sept. 2, at 9pm. If you're over 21, purchase a $25-$35 ticket, get your ass down there and let these boys know how appreciative you are of their comic genius. Oh. And let them know you like their music (even if you're old and don't get it, like me).
Kid Dinosaur • indie rock • St. Petersburg • Cry Steve Cry • psychedelic, surf Americana • Sweet Nothin' • punk rock
By Desiree Garcia
Is a Burqueño actually a Burqueño if they don't support their local artists? If you're unsure, the band Kid Dinosaur will be headlining a show at the Launchpad this Friday, Sept. 2. Doors open at 8pm. It's a 21+ show, because what's a show without a little liquid courage (just for dancing, though)? It's only $5 to support these local indie rockers. Performances will also include St. Petersburg, Cry Steve Cry and Sweet Nothin'.
Courtesy of Watsky Instagram
Watsky • Witt Lowry • hip-hop • Daye Jack • rap • Chukwudi Hodge
By Renée Chavez
In search of rap that's about more than hoes and getting turnt at the club? Cruise over to Sunshine Theater on Saturday, Sept. 3, to experience WATSKY, Witt Lowry, Daye Jack and Chuckwudi Hodge. George Watsky is a spoken word artist, rapper, poet and author who has just released his newest studio album, x Infinity, and let me tell ya, he's rad. Don't believe me? Check out his performance as Shakespeare in “Epic Rap Battles of History,” the flaming-hot “Whoa Whoa Whoa” from All You Can Do, or the fact that he won the Brave New Voices National Poetry Slam in 2006. He tackles complex issues like school shootings, politics, immigration, social media and the bizarreness of the modern human experience with wit and a badass beat. Tickets are $20 for general admission to this all-ages show and doors open at 7pm.
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