Music to Your Ears
By Laura Marrich
Couldn't get Shins Tickets?—You're not alone. In fact, The Shins' choice to play the El Rey had a lot of you folks scratching your heads—the band routinely sells out venues twice the size of the El Rey, which seats somewhere between 700-800 people. How in god's name were you supposed to get tickets that were effectively sold out before the the show was even advertised? Why not play a bigger venue like the Kiva Auditorium?
Flyer on the Wall
More Fun Than a Junior Spelling Bee
I Is For Ida emerges for a rare local show along with Seattle's sensitive H Is For Hellgate and locals Sin Serenade and The Dead Electric. Friday, April 13, at Atomic Cantina. Be there and be square! (LM)
Church is in Session
The Soul Deacons preach the word of soul
By Amy Dalness
Washed in daylight, Evangelos sits quietly amid the trading post-style shops, art galleries and jewelry stores dappled along West San Francisco Street, which leads to Santa Fe's famous downtown plaza. Tourists and locals alike walk past its large windows, shaded by Evangelos' American flag-clad sign—some stopping to glance into the lounge's simple interiors, others passing by without any notice. As the sunlight fades, the glow from Evangelos' stage starts to draw more attention from pedestrians and the bar begins to fill.
Neko Case, of course
By Jessica Cassyle Carr
It's easy to get sick of music. You could be that guy who has an immaculate archive of vinyl and always knows about new music first, but if inundated with enough of it (say, at a job that requires wading through many a mucky pile of promos), music gets boring.
The Purple Cow Story
Playing each show as if it were their last
By Simon McCormack
The Purple Cow Story grew up idolizing fellow Oklahomans The Flaming Lips and were further influenced by local Norman, Okla., band the Chainsaw Kittens; the former for their sound and the latter for their energetic live show.
The Willowz Chautauqua · The Alternate Routes Good and Reckless and True · The Friends of Rock-N-Roll The Friends of Rock-N-Roll
By Simon McCormack
The most recent effort from garage-rockers The Willowz is much crisper and less muddled but still no more catchy than their previous releases. The band’s greatest obstacle to achieving greater notoriety is their songs’ tendency to vanish from the listener’s auditory memory in no time at all. The record sounds less like it was recorded in a well than any of their others, but Richie Follin’s lack of a true singing voice and the band’s inability to write more than a handful of outstanding songs keep the album from reaching greater heights.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Old-Time Music Jam Circle • Virginia Creepers at Tractor Brewing Taproom
Jim Jones • country at The Blue Grasshopper Brew Pub
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