Music to Your Ears
By Jessica Cassyle Carr
On Hos and Hip-hop—Last week in response to Oprah's two-part Hip-hop Town Hall (which was in response to Don Imus being a dipshit), poet and hip-hop artist Saul Williams wrote an open letter to Oprah. Oprah's programs dealt with misogyny, racism, marginalization and censorship and hosted guests such as Def Jam cofounder Russell Simmons, rapper Common, poet and author Maya Angelou, a record executive, an entertainment lawyer, people involved with the NAACP and a group of female students from Spelman College (who, in 2004, protested a Nelly performance for his treatment of women in his videos). While the program was positive, it wasn't in-depth. Saul Williams’ letter, on the other hand, was.
Paging Dr. Octagon
Triumphant or resistant, an innovator returns
By Marisa Demarco
It was your average rabies call. Dr. Octagon was paged to Room 109, unaware of his looming demise. “I’ll tell you what,” spat Dr. Dooom as Octagon entered. “Take this, motherfucker. Take two of these and call me in the morning.” And thus, the good doctor was capped. Cause of death? Multiple GSWs (gunshot wounds) from a nemesis Octagon never saw coming.
Flyer on the Wall
Go West, Young Band
Rio Rancho gets a little louder when The Pharmacy, Fiction Onehundred, Built for Dummies and Easier Said Than Done play Thursday, April 26, at Turtle Mountain Brewing Co. (21+). Bring a few dollars for cover. (LM)
The Hands and The Skeletons
Hand jives and exorcisms
By Simon McCormack
Garage rock is a tricky genre. From listening to the intentionally lo-fi recordings and simple song structures, you might be tempted to think anyone can pull it off. Goodness knows a lot of bands have tried, but few have managed to stand out enough to gain more than just local recognition. Still others, such as Southern California’s The Willowz, struggle to break out of the tightly confined space the genre allows without losing what made them successful in the first place.
Neil Cowley Trio Displaced · Miles Okazaki Mirror · Misha Piatigorsky Uncommon Circumstance
By Mel Minter
Brash, punkish energy, hooks that could snag a whale and sheer invigorating exuberance mark the debut recording of the Neil Cowley Trio (with pianist/composer Cowley, bassist Richard Sadler and drummer Evan Jenkins). A taut ballad, a trancelike rocker, a miniature that recalls Vince Guaraldi, a conundrum set to music, a contemplative swinger—Cowley attacks everything with breathtaking dynamic flair and a surprising, adept touch. With a sure rhythmic feel and an irrepressible and infectious spirit, Cowley and the boys gleefully roll the tunes downhill in a headlong rush—almost, but never quite, losing control every time.
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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