Music to Your Ears
By Jessica Cassyle Carr
On Hos and Hip-hop—Last week in response to Oprah's two-part Hip-hop Town Hall (which was in response to Don Imus being a dipshit), poet and hip-hop artist Saul Williams wrote an open letter to Oprah. Oprah's programs dealt with misogyny, racism, marginalization and censorship and hosted guests such as Def Jam cofounder Russell Simmons, rapper Common, poet and author Maya Angelou, a record executive, an entertainment lawyer, people involved with the NAACP and a group of female students from Spelman College (who, in 2004, protested a Nelly performance for his treatment of women in his videos). While the program was positive, it wasn't in-depth. Saul Williams’ letter, on the other hand, was.
Paging Dr. Octagon
Triumphant or resistant, an innovator returns
By Marisa Demarco
It was your average rabies call. Dr. Octagon was paged to Room 109, unaware of his looming demise. “I’ll tell you what,” spat Dr. Dooom as Octagon entered. “Take this, motherfucker. Take two of these and call me in the morning.” And thus, the good doctor was capped. Cause of death? Multiple GSWs (gunshot wounds) from a nemesis Octagon never saw coming.
Flyer on the Wall
Go West, Young Band
Rio Rancho gets a little louder when The Pharmacy, Fiction Onehundred, Built for Dummies and Easier Said Than Done play Thursday, April 26, at Turtle Mountain Brewing Co. (21+). Bring a few dollars for cover. (LM)
The Hands and The Skeletons
Hand jives and exorcisms
By Simon McCormack
Garage rock is a tricky genre. From listening to the intentionally lo-fi recordings and simple song structures, you might be tempted to think anyone can pull it off. Goodness knows a lot of bands have tried, but few have managed to stand out enough to gain more than just local recognition. Still others, such as Southern California’s The Willowz, struggle to break out of the tightly confined space the genre allows without losing what made them successful in the first place.
Neil Cowley Trio Displaced · Miles Okazaki Mirror · Misha Piatigorsky Uncommon Circumstance
By Mel Minter
Brash, punkish energy, hooks that could snag a whale and sheer invigorating exuberance mark the debut recording of the Neil Cowley Trio (with pianist/composer Cowley, bassist Richard Sadler and drummer Evan Jenkins). A taut ballad, a trancelike rocker, a miniature that recalls Vince Guaraldi, a conundrum set to music, a contemplative swinger—Cowley attacks everything with breathtaking dynamic flair and a surprising, adept touch. With a sure rhythmic feel and an irrepressible and infectious spirit, Cowley and the boys gleefully roll the tunes downhill in a headlong rush—almost, but never quite, losing control every time.
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound Stage
Hozier • blues, indie, soul at Sandia Resort & CasinoMore Recommended Events ››