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 V.16 No.17 | April 26 - May 2, 2007 

Music to Your Ears

On Hos and Hip-hopLast week in response to Oprah's two-part Hip-hop Town Hall (which was in response to Don Imus being a dipshit), poet and hip-hop artist Saul Williams wrote an open letter to Oprah. Oprah's programs dealt with misogyny, racism, marginalization and censorship and hosted guests such as Def Jam cofounder Russell Simmons, rapper Common, poet and author Maya Angelou, a record executive, an entertainment lawyer, people involved with the NAACP and a group of female students from Spelman College (who, in 2004, protested a Nelly performance for his treatment of women in his videos). While the program was positive, it wasn't in-depth. Saul Williams’ letter, on the other hand, was.

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Dr. Octagon

Spotlight

Paging Dr. Octagon

Triumphant or resistant, an innovator returns

It was your average rabies call. Dr. Octagon was paged to Room 109, unaware of his looming demise. “I’ll tell you what,” spat Dr. Dooom as Octagon entered. “Take this, motherfucker. Take two of these and call me in the morning.” And thus, the good doctor was capped. Cause of death? Multiple GSWs (gunshot wounds) from a nemesis Octagon never saw coming.

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Flyer on the Wall

Go West, Young Band

Rio Rancho gets a little louder when The Pharmacy, Fiction Onehundred, Built for Dummies and Easier Said Than Done play Thursday, April 26, at Turtle Mountain Brewing Co. (21+). Bring a few dollars for cover. (LM)

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The Hands

Show Up!

The Hands and The Skeletons

Hand jives and exorcisms

Garage rock is a tricky genre. From listening to the intentionally lo-fi recordings and simple song structures, you might be tempted to think anyone can pull it off. Goodness knows a lot of bands have tried, but few have managed to stand out enough to gain more than just local recognition. Still others, such as Southern California’s The Willowz, struggle to break out of the tightly confined space the genre allows without losing what made them successful in the first place.

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    High Mountain Hideout
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