Music to Your Ears
The city's proposed teen music center is in danger
By Laura Marrich
The city's plan to establish an all-ages, teen-run music center was set in motion with the purchase of the Ice House building last year. But it's hit a snag. Without a show of your support at two upcoming meetings, the proposed center may be cut out from the funding it needs to get off the ground.
Flyer on the Wall
Poor Man’s Ferrari
By Jenny Gamble
There once was a car that was cheap, the fastest car on the street. You could own it if you were poor and couldn’t afford more, but still … the car could never be beat. And thus, the “Poor Man’s Ferrari” became a classic machine worth more than 10 times its original listing price.
“I'm trying to be the greatest there's ever been.”
By Marisa Demarco
Brother Ali speaks quietly, his thick East Coast accent eloquent and thoughtful. When we speak, he's in Boston in the middle of a two-month tour. Lots of musicians bitch about being on the road, but Ali loves it—except for missing his new wife and 6-year-old son. He's a serious guy who's had to sacrifice and scrap his way to fame, riding a heap of critical praise for his first big success with the Rhymesayers label, Shadows on the Sun.
David Binney and Edward Simon Océanos · Morrie Louden Time Piece · Wayne Escoffery Veneration
By Mel Minter
The musical approaches of pianist Edward Simon and altoist David Binney seem, on the surface, fairly disparate. Binney favors fire, speed and dynamism. Simon tends toward water, patience and understatement. Different paths, but the two longtime associates both find their ways to beautiful music, here with bassist Scott Colley, drummer Brian Blade and a host of guests (notably vocalist Luciana Souza and guitarist Adam Rogers). From the uncomplicated profundity of Simon’s “Govinda” to Colley’s intense but delicate “Amnesia” to Binney’s dreamy “We Dream Oceans,” Océanos offers a deeply musical and satisfying passage over the open water of original jazz.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
SlayBells Fire • Sam Pottorff • Grant Landis • Diegosaurs • Andrew Fontenot • Maddie Welborn • Alex Lee at Sunshine Theater
ABQ Jazz Orchestra • jazz at The CooperageMore Recommended Events ››