Music to Your Ears
By Laura Marrich
Free Ozzy—The Prince of F***ing Darkness is cashing in on another run of Ozzfest, which includes a July 26 stop at Journal Pavilion. Fourteen uneven years after its debut, hope that this festival could retain more integrity than a fatted cash cow seems soundly, painfully extinguished—not least of all by the festival's pandering to "murderous clown" acts like Slipknot. But fans of the Bewildered Evil One have some redeeming incentives to come out this time. (I mean, besides the spectacle of Ozzy's stage handlers dousing his crotch with water at regular intervals ... No sir, no cover for incontinence there!)
Sea Wolf Get to the River Before It Runs Too Low · Panthers The Trick · Hot IQs Dangling Modifier
By Jessica Cassyle Carr
The past few years have seen a semi-deluge of wolf-in-name musical ensembles: Wolf Eyes, Wolfmother and now Sea Wolf (this on top of a metal band named Wolf, not to mention Los Lobos). On the debut EP from solitary permanent band member Alex Brown Church, Sea Wolf may be the most promising member of the wolfly titled club. The arrangement is an evocation of moody melody propelled by violins, cellos, lyrical storytelling, astute percussion and a concertina or two. The five songs are mostly lovely and fully worthy of borrowing name and inspiration from Sea Wolf, Jack London's 1904 novel.
Finally. It's here. A new disc. And it's the best.
By Marisa Demarco
By Marisa Demarco
At first it was simple pop-rock songs. Well, lighter on the rock, really. "Then things got progressively weirder," says Noah Lennox, a.k.a. Panda Bear of the Animal Collective. AC members have known each other since grade school in Baltimore, but it wasn't until they all found themselves in New York for one reason or another that things got serious—and weird. If tape manipulations, sound collages and a genre commonly defined as "acid folk" are unfamiliar, "weird" might be a good place to start. Actually, the Collective is unconcerned with defining itself by genre and instead focuses solely on not repeating itself, bringing in elements of modern classical composition, prog-rock, jazz—you name it.
Flyer on the Wall
Dr. Eerie’s Carnival de Rock
Royale with Cheese
Avoid Eye Contact
High Mayhem Studios (1703-B Lena Street, Santa Fe) presents an exhibit of Orwellian art posters by Michael Sumner and Melody Sumner Carnahan. 7 p.m., all-ages, free. Stick around for new music from Adobe Gillis ($5-$10 donation) at 9 p.m. (LM)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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Higher Ground Bluegrass • folk, bluegrass at Kelly’s Brew Pub
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