Alibi V.16 No.28 • July 12-18, 2007 ››
A natural vintage
"I don't like bein' retro for retro's sake," says Reuben Glaser from the loft space/recording studio where he's resting between two legs of his tour. He speaks with an almost Southern lilt that has nothing to do with his Cincinnati habitat. "We been playin' the South, so maybe it stuck," he laughs. "New Mexico is probably the one place in the country that has less of an accent than we do."
Felix Y Los Gatos
Friday the 13th Sur Valle CD release
Felix Peralta is old school; and not in a clichéd, doing-it-because-it’s-cool way. It just is who he is and how he plays. Charlie Parker once said, “Music is your own experience, your own thoughts, your wisdom. If you don’t live it, it won’t come out of your horn.” That's the best way to describe Peralta and how he plays his guitar. Every song is a story, every chord an emotion.
Chromeo Fancy Footwork
· The Clientele God Save The Clientele
· Eyvind Kang Athlantis
Montreal's Chromeo is back on their second full-length, bumping out another dose of schmaltzy jams. Being new to mine ears, when I first played this album I was sure the cheesy electronica beats and stupid lyrics were a joke. Turns out they're not a joke, but intended to sort of sound like a joke. How post-modern. In any case, the songs are wretched. But would I dance to them after two cocktails? Absolutely—I've danced to much worse.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?