Alibi V.16 No.30 • July 26-Aug 1, 2007 

Music to Your Ears

Power to the Children

Powermoves Entertainment is a locally based record company with international intentions. Eric Martinez established the label back in 2001 and now hosts his own team of personnel and artists. Powermoves has represented the Southwest at glitzy, big-time functions like the Latin Rap Conference, the Sundance Film Festival and the MTV Music Awards. Now, Powermoves vice president of operations John Chavez says the company is preparing for what may be its most important event yet—their Empowering The Youth block party, going down Saturday, July 28, at the Balloon Fiesta Park.

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Mark Weaver and his tuba, abstracted.

Music Interview

On the Spot

Improv tuba master sounds off on Albuquerque's shrinking venue pool

Mark Weaver is a man of two very different hats. In one he is an architect, governed by the strict rules of design and blueprints. But when he switches to the other he becomes a tuba-playing free-improvisation master. Since he doesn’t call himself a jazz musician, it’s hard to nail a genre to the sounds he creates—much of it being on the spot. That’s why in 2000 he decided to open his own record company, Plutonium Records, as an outlet for his work. Run out of his home, the label stands as a safe haven for local improvised music. Six Plutonium releases to date feature the music of several groups he’s played with. Now the Albuquerque native, who plays with groups such as Selsun Blue, The Patti Littlefield and Mark Weaver Duo, and Brassum, has a brand-new release: Brassum: Live. Here, the Alibi talks to the composer/tuba player about his work and the current state of improvised music in Albuquerque.

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Magic Bullets

Show Up!

Everybody Loves a Pop Star

Magic Bullets

Magic Bullets sounds just like Orange Juice. And The Sound. And The Feelies. Even a bit like Gang of Four and Talking Heads, according to Magic Bullets' publicist.

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Charley’s co-owner Dave Chapman looks out over the record collection at Charley’s 33s and CDs. His eyes must hurt from the beauty.
Xavier Mascareñas

Spotlight

Old is New

Store from another era revamps to survive in a fluctuating today

Like a sensitive weathervane, Charley's 33s & CDs catches wind of the economy's tricks and turns with the slightest of breezes. When it dips, customers sell off their beautiful vintage goods and records. When it climbs, the huge selection of vinyl nearly walks itself out the door.

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Sonic Reducer

Suzanne Vega Beauty & Crime · Mushroom with Eddie Gale Joint Happening · Justice Cross

Happening is an ambient voyage through a strange, drug-induced dream. It’s a transcendent journey, through the wonderful bliss of congealing sound, from one’s dreary reality to being drunk on some street in Rio de Janeiro, the towering lights from foreign buildings blinding your eyes. Gale’s smooth trumpet is eerily reminiscent of Miles Davis’ Bitches Brew (1969) and On the Corner (1972) sessions, but this album is a modern interpretation of avant-garde work, with more rock elements and a Latin feel. The afro-funk percussion gives life to a feeling reflected in the fantastical album artwork, the feeling that you're somehow slipping … from … reality … [TG]

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[click to enlarge]

Flyer on the Wall

Socialism, Man

Unit 7 Drain drops an iron curtain on the Atomic Cantina this Friday, July 27. Comrades Feels Like Sunday and Demons help paint it all red. Free, 21+. (LM)

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EVENT HORIZON ()

The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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