Music to Your Ears
By Laura Marrich
Skate + Jams
There's a perception that skateboarders are unmotivated people. When skaters aren't out carelessly destroying public property by "grinding" and such, they're manning the fryer at a shitty service industry job (if they have a job) or playing Xbox on some nasty old couch, probably one that belongs to a dude named Boner (or more precisely, Boner's mother).
Flyer on the Wall
Frogville recording artists Hundred Year Flood and Goshen don’t usually wander this west of Santa Fe; but this Friday, Aug. 17, they’ll join Burque boys The Old Main at Puccini’s Golden West Saloon. Give ’em a great bigh howdy, and five of your dollars, at around 8:30 p.m. [LM]
Youth Rock and Roots
Native musicians focus on the future at inaugural concert
By Amy Dalness
Indigenous Voices and Visions has a mission statement: Inspire, motivate and cultivate the young minds, hearts and spirits of children. Beyond being a Native Grammy and Native American Music Award recipient, organizer Star Nayea is a mother.
Add It Up
One Foundation backs The 2bers in a live recording at 3rd Street Arts
By Marisa Demarco
Tommy Gearhart Autumn Serenade · Colette Push · Public Enemy How You Sell Soul to a Soulless People Who Sold Their Soul
There's nothing particularly special about local crooner Tommy Gearhart’s debut release. His charming voice is reminiscent of a young Sinatra, minus the showy pow! of whichever mighty big band he was upstaging. Backing Gearhart is an un-synced combo whose improvisation and feel is clunky, and really doesn’t do their leader any justice. This is, however, perfectly good music to make love to, or drink a lot of champagne to, or have an intelligent conversation to; only I recommend hearing this ensemble in their natural habitat. Find them at a smoky bar with a little dimly lit stage, drink some cocktails and hear what Old Blue Eyes must have sounded like when he was still young. [TG]
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Aer • rap, rock • Cody Simpson • Chef'Special at Sunshine Theater
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts CenterMore Recommended Events ››