Music to Your Ears
By Laura Marrich
PMS >> RIP
It's hard to describe what Potty Mouth Sherry's are outside the obvious "all-girl" (there are four of them, to be precise), but I'll try with some stream of consciousness—Punk. Folk. Pirate. Circus. Noise. Art-house. Playground. Butch. Femme. Bad-good. Good-bad. Sinbad. Ukulele-core.
Flyer on the Wall
Cash is King
The Man in Black comes alive Friday, Sept. 14, at Atomic Cantina (21+, free), with help from Sin Serenade, The Dirty Novels, The Gracchi, Feels Like Sunday, Pan!c, Swingin’ Meat, The Ground Beneath, Lenny D’Wayne, Botnix and Grand Can Yen. Pay tribute. [LM]
A drone state of mind
By Kyle Silfer
"One chord best, two chords cool, three chords OK, four chords average."
By Justin Alan Hood
Florida natives Against Me! crash at the Sunshine Theater this Thursday, Sept. 13. Touring for their fourth full-length album, New Wave, these guys are rocking the boat with punk that's rich, raw and honest. The Alibi caught up with the band’s lead singer/songwriter/guitarist, Tom Gabel, to discuss the new album, being on the road and everything in between.
Joey Calderazzo Amanecer · PlayRadioPlay! The Frequency E.P. · Chaka Khan Funk This
Bypassing the omphaloskepsis that plagued his 2004 solo recording, Haiku, the longtime Branford Marsalis Quartet pianist ventures over a wide range of sonorities and historical styles on Amanecer, in solo, duo and trio formats. On Michael Brecker’s “Sea Glass,” he achieves a deft balance between motion and stillness. His own “Toonay” features rhythmic rubs of right hand against left, and a Glenn Gould–like touch. His highly personal rendition of “Waltz for Debby” lays a lovely veil over Bill Evans’ tune. Four tracks add Claudia Acuña (vocal) and Romero Lubambo (guitar), with particular success on the Calderazzo/Acuña composition “So Many Moons.” [MM]
Mishka Shubaly vs. the road
By Amy Dalness
The road is a dangerous mistress. One moment she's gilding her path, offering kisses laden with joy and good fortune. The next, she's slashed your tires, stolen the radio and called all your exs to tell them you've got the clap.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
ABQ Jazz Orchestra • jazz at The Cooperage
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