Year in Music
Top 10 of 2007
After throwing them at the wall, these are the albums that stuck
By Marisa Demarco
Top 10 lists are intimidating. What if I miss something good? What if I don't agree with the critics? There's no way I could have heard every single disc last year. How can I be an authority?
Year in Music
Bottom 10 of 2007
Whether it was rock, pop or rap, it all sucked in ’07
By Simon McCormack
10) Reel Big Fish
If it makes Reel Big Fish happy to cling to the dream of a third-wave ska revolution, then more power to them. Still, making ska for the sake of keeping the genre alive doesn't produce the best results. Even though their songs are still upbeat as ever, I can't help but think there were some tears shed behind the scenes for a genre that once was.
Flyer on the Wall
Rock or Die!
Bogeymen of nightmares past compel you to rock this Sunday, Jan. 6, with Calling Kevorkian, Anonymous Victims, Scarless, Into the Ocean and Brokencyde. All-ages at the Launchpad ($5/$7), doors open at 7 p.m. (LM)
Pop music for artsy fuckers, inspired by robbery
By Simon McCormack
After an ugly breakup and several robberies, Khaled Tabarra had a wealth of song-writing material.
De Novo Dahl Move Every Muscle, Make Every Sound · Sia Some People Have Real Problems · The Local Tourists Happy Birthday, Kyle
Party-pop is not easy to make and De Novo Dahl's new album proves it. Like its title suggests, Move Every Muscle, Make Every Sound tries to do too many things, attempting to combine bluegrass, alt.rock, electro, psychedelia and power-pop into a small, sugary dose of medicine that's too jagged to swallow. When the band meshes a couple of said genres instead of cramming them all in, there are some successful moments on the record. But too often, De Novo Dahl is in the midst of an identity crisis that a pop backdrop can't cope with. (SM)
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Acoustic Open Mic • Steve Kinabrew at Molly's Bar
Lightning Hall • folk-blues at Corrales Bistro BreweryMore Recommended Events ››