Music to Your Ears
By Laura Marrich
I Kid You Not
"My biggest fear as a parent," confesses a first-time father and YouTube documentarian, "was that I would have to spend the next several years of my life listening to Barney or The Wiggles." He was spared that fate, he says, by Dan Zanes, a Brooklynite folk-rocker who crafts children's music that parents are equally mad for. On Dan Zanes and Friends’ 2006 Catch That Train!—probably the first “children’s music” disc you could pick up at Starbucks, thanks to a deal with the coffee juggernaut's Hear Music entertainment division—Zanes' friends include Nick Cave, The Kronos Quartet, Natalie Merchant and The Blind Boys of Alabama. When Zanes plays the National Hispanic Cultural Center this Wednesday, Feb. 6, his friends will be of the home-grown variety (I’m just not sure who, at this point). Bring the wee ones out for this concert. For once, it's not overreaching to say the whole family will enjoy it. Cost is $15 advance, $20 at the door for adults, and $10 advance, $15 at the door for children under 12, through TicketMaster and the NHCC box office (with no service fee, 724-4771). The show starts at 6:30 p.m.
Rhythm rock with a breadbasket work ethic
By Simon McCormack
A Chat with Wynton Marsalis
The Jazz at Lincoln Center flagship sails in
By Mel Minter
Over the years, music director, trumpeter and gentleman Wynton Marsalis has maneuvered several smaller craft—a quartet, a quintet and a septet—through New Mexico's jazz waters. Next week, he’ll dock the quindectet Jazz at Lincoln Center Orchestra, the flagship of that New York institution, in Albuquerque for a program of Duke Ellington’s love songs. One thing is for sure: The evening will swing.
Flyer on the Wall
A Smile from the Trenches (Grand Junction, Colo.), Bury Your Wings, Brokencyde and Glenn Mara meet up for an all-ages screamy rock sesh this Friday, Feb. 1, at The Compound. $7 gets you in, but be nice and bring cash for a merch purch. (LM)
Liam Finn I'll Be Lightning · Doomtree False Hopes · The Raveonettes Lust Lust Lust
With so many singer-songwriters out there, perhaps genetics is one surefire way to separate the diamonds from the rough. Liam Finn, son of Crowded House vocalist Neil Finn, has made an album that is simple, quiet and beautiful. The songs are slow to take hold, but once they've crawled inside your brain, they refuse to come out. Acoustic guitar, a swath of synth and straight back-beat drums with Finn's lovely cold-cooing wrap every song in an attractive package. Let's hope Finn's debut is just the tip of his creative iceberg. (SM)
The band you won't hear live this week
By Marisa Demarco
I just got word from Derek Caterwaul that the Little Women show slated for Thursday, Jan. 31, won't be happening—the guitarist developed tendonitis while touring, and won't be driving in for the show. But I did a perfectly good interview with the experimental punky jazz quartet from Brooklyn, and thought I'd tell you about them anyway. Little Women balances tight, turn-on-a-dime changes with a rowdy, frantic energy, a kind of unpolished polish I'll call spit-shined. Take in the frenetic, bursty approach at myspace.com/littlewomensounds. Little Women's first recording, Teeth, will be out March 4 on Gilgongo and Sockets records.
Alan Jackson • country
By Joshua Lee
As Ludwig von Beethoven once said, “Music is the mediator between the spiritual and the sensual life.” Those words still carry weight, even now: a thousand years later. And you'll find no better example than the incomparable Alan Jackson, whose voice and countenance rival those of the gods, as though he were hewn from the heart of the sun itself. His honky tonk tunes are swords of righteous terror and beauty which melt the eardrums…
Chrome Sparks • electronic, indie pop
By Joshua Lee
So Chrome Sparks apparently has a few hours open in his schedule to visit ABQ—somewhere in between juggling his gajillion other projects and fulfilling his role as busiest spacey electro-pop composer on the planet. New Mexico seems like the perfect place for those wide-open, expansive tunes of his…
Miike Snow • indie, electro-pop
By Monica Schmitt
"I change shapes just to hide in this place, but I'm sure not going to hide from this concert." Ladies and gents, I am happy to report that Miike Snow, the Swedish electro-pop band of your dreams, will be performing at our very own Historic El Rey Theater. Imagine Alt-J and Dan Black created a musically inclined love child…
Andrew Jackson Jihad • folk-punk • Diners • surf, indie rock • Kepi Ghoulie • punk folk
By Peter Karlsen
Once upon a time, back in 2004, in the distant land of Arizona, there was born a folk-punk band by the name of Andrew Jackson Jihad. It was a mouthful, so they decided to go by the acronym AJJ. Then they decided to formally change their name to that. Soon they'll be at the Launchpad. People in this town like to shit on the folk-punkers, but fuck those jerks…
Courtesy of the Palisades Facebook Page
Palisades • electronicore • It Lives, It Breathes • post-hardcore • Darke Complex • metal
By Megan Reneau
There is a rhythmic connection between genres dubstep and metalcore. One band that's done phenomenal in this kind of mashup (referred to as electronicore) is Palisades originating from Iselin, N.J. Having been to their last show in town, I can guarantee that they put on an equally energetic and high quality show, which makes sense because after going on over 20 tours in the last four years, they are likely to have nearly perfected their performance technique. These guys just don't quit—or take a break for that matter—and I'm glad they haven't. In addition to the supporting bands It Lives, It Breaths and Darke Complex this is going to be a good fucking time. They'll be in town on Sunday, Oct. 9, at the gem of a locale, Blu Phoenix Venue,and tickets are only $8! Doors open at 6pm, and it's likely to be packed so get there on time (or early).
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