You should be screaming Niggy Tardust at the top of your lungs
By Simon McCormack
It's tough to get a read on rapper, actor and slam poet Saul Williams. He seems to have a great deal of faith in the average person, but he's not interested in catering to anyone's tastes. His work is at once purely self-assured and fragile. Williams’ poetic verse quietly but forcefully makes the case for change while the riotous sounds behind him demand it.
A String Quartet Named Ethel
Musically omnivorous group plays with itself and its audience
By Mel Minter
Calling Ethel a string quartet is like calling Jimi Hendrix a blues guitarist. It’s perfectly accurate and almost completely misleading.
Flyer on the Wall
By Hanna Sumour
Kiss spring's perennial blush of coy colors and prim construction goodbye. For the next three months, autumnal layering and earth tones will ram headlong into the nubile silhouettes of summer. The new vernal look is literate, lithe and flecked with mud.
Gonzalo Rubalcaba Avatar · Jim Noir Jim Noir · DeVotchKa A Mad and Faithful Telling
From the CD’s opening seconds, the ethereal touch, musicality and instinctual rhythmic excitement of Cuban pianist Gonzalo Rubalcaba captivate the ears, heart and brain. Sidemen Yosvany Terry (saxes), Mike Rodriguez (trumpet, flügelhorn) and Albuquerque’s Matt Brewer (bass), who sometimes seems to share a brain with Marcus Gilmore (drums), collaborate with stunning precision. Original compositions from Rubalcaba, Terry and Brewer, whose indirect, disturbingly beautiful “Aspiring to Normalcy,” is a high point, join Horace Silver’s “Peace” (trio) and Alejandro Garcia Caturla’s “Preludio Corto No. 2 for Piano,” arranged for quintet by Rubalcaba. Avatar delivers lyrical contemporary jazz played at a very high level. (MM)
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Aleister Crowley nor George W. Bush will be around (maybe) but prepare to sharpen your horns and do some bidding for some badass folks that definitely aren't involved in the occult—the doom metal trio Castle enchants locals at the Launchpad this Saturday, March 4, with the doors to the underworld opening at 8pm. Joining the '70s heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper in the Heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there.
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