Music to Your Ears
By Laura Marrich
A Mic for Every Mouth
In an ideal world, open mics would be as individual as the people who sign up to play them. Albuquerque's not too far off. This city's already friendly to musicians trying to get a foothold in public (some argue too friendly, but that's another column). The past few months in particular have seen a new crop of open mics—specialized ones created with a specific type of performer in mind. Here's a rundown of some of the most promising. That is, if you:
The rock that never dies
By Simon McCormack
By the time Megadeth bassist James Lomenzo joined the band’s lineup in 2006, he’d built a 30-year career of rock with artists like David Lee Roth and bands like White Lion and Black Label Society. “I’ve played with pretty much everybody, so there’s not much that’s gonna scare me,” Lomenzo asserts.
Flyer on the Wall
Calling All Females
Our Place II (9401 Coors NW, 890-6890) invites the ladies to rock on the Westside with Black Tooth Grin, Mechanism of Eve, Random Order and Scarless this Thursday, April 10. Ladies free, gents $3. (LM)
Moby Last Night · Ministry and Co-Conspirators Cover Up · Elf Power In a Cave
Nine studio albums deep, Moby returns in full electronic force and points it toward a dance record. On Last Night, Moby stays off the vocals and allows artists like Grandmaster Caz to fill the track with rhymes, turning out an album that's rhythmic and groovy, and hints at a world of clubs and drugs. At times, Moby's sample layering blankets tracks with dissonance; but for the most part the cohesion of breaks and odd harmonies allow Last Night to linger pleasantly. (JH)
On the Scene
All-ages music and arts space is a year old and still DIY
By Justin Hood
Two brothers, Thomas Haag and Forrest Haag, and lifelong friend Naython Vane fired up Stove for the first time on April 20, 2007.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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Old-Time Music Jam Circle • Virginia Creepers at Tractor Brewing Taproom
Desdemona • folk at Blue Grasshopper Brew Pub Taproom
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