Music to Your Ears
By Jessica Cassyle Carr
The Porter Draw Grows a Really Terrific Beard (and Releases Its First Album)
This week, Albuquerque’s The Porter Draw celebrates its first recording. Trouble sometimes races, is sometimes slow and measured, is always at least a little forlorn. The album is a cross-country journey marked by excellent playing, refined harmonies and run-ins with the law. Formed in the summer of ’07 as a three piece, The Porter Draw is now comprised of Ben Wood, Josh Gingerich, Vince Edgerton, Russell Pyle and Mojo Atzberger. The bluegrass-y quintet, named after a Colorado off-ramp, e-mailed us answers to a few questions.
Courtesy of Peelander-Z
On a super crazy mission to eat your smile
By Simon McCormack
Few bands combine karaoke parties, bowling, wrestling moves and piggyback rides into an hour-long set. But that’s just how they do it on planet Peelander.
Eric Williams ericwphoto.com
Keep the Music Going
Top local musicians come to the rescue as the Outpost hosts five benefit concerts
By Mel Minter
A few weeks back, Tom Guralnick, executive director and resident visionary at the Outpost, was onstage introducing David Sánchez when he mentioned that the internationally recognized saxophonist had appeared at the Outpost previously. He couldn’t remember when, though.
Flyer on the Wall
Cast Thine Eyes Downward and Gaze Upon Thy Feet
Aristeia injects Amped (4200 Lomas NE) with a dose of Portland experimental shoegaze on Saturday, March 28. Locals Poema, Shekinah and Authors & Illustrator bring the rubbing alcohol. The show’s $3 and all-ages as ever. (Laura Marrich)
Handsome Furs Face Control · Jeff "Tain" Watts Watts · Buddy & Julie Miller Written In Chalk
The personnel tells you pretty much what you need to know: This is some smoking contemporary jazz. The flamboyantly emotional trumpet of Terence Blanchard and the sly, operatic saxophones of Branford Marsalis bring a dash of Crescent City savoir-faire to the proceedings, and the huge, percussive bass of Christian McBride keeps it all from flying away. Then there’s drummer/composer Watts, whose 10 original compositions range from easy-grooving country funk to screaming post-bop burners edged with humor, and whose drumming ... well, it’s a wonder and it’s right up front. Pianist Lawrence Fields guests on one poignant ballad. (MM)
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Geeks Who Drink at Fat Squirrel Pub & Grille
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