Music to Your Ears
By Laura Marrich
The Return of Fast Heart Mart
Wipe away your tears, acoustic grunge lovers of Albuquerque. In late April, I shared Fast Heart Mart's announcement that a family emergency could call Burque's beloved singer/songwriter away to the East Coast. But the winds of fate have shifted, and all is well again: FHM isn't going anywhere. He's already lined up a boatload of interesting performances for the summer, including a show with Kate Mann on Friday, June 5, at the Albuquerque Center for Peace and Justice. And on Thursday, June 4, FHM is making a rare appearance as himself—Martin Stamper, the songwriter, all alone—at The Albuquerque Songwriter Series. The free show is at Slate Street Café (515 Slate NW, one block north of Lomas between Fifth and Sixth Streets) from 7 to 9 p.m., and it features the added creative juices of Johnny Wilson of Chokecherry Ranch and CK Barlow.
Murder on the high desert
By Simon McCormack
Jasper Brown picked up an acoustic guitar to appease his mother.
Glitter Glam Gays in Space
The first-ever Alibi Pride party: We're taking Pride to another planet!
By Jessica Cassyle Carr
With modern-day frights like asteroids, the plague, supervolcanoes, the bomb, sea pirates and Snuggies, the time is right to toss one's cares aside and indulge in the velvety, shimmering pleasures of the universe. In the ’70s, androgynous, first-wave glam acts such as T. Rex, Sweet, Slade, Ziggy Stardust and the New York Dolls developed a proto-punk/heavy metal franken-rock that flew its Moog-tinged spaceship to the outer reaches of raunchy hedonism and glittery artifice. While much of the resulting music is fabulous now-classic rock, the theater behind the highly conceptual movement is almost more interesting. Glam rock incorporated sci-fi themes, sexual ambiguity, absurd makeup and silver platform boots. Behold: The results were sexy.
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