The New Mexico Jazz Festival
Bassist Matt Brewer comes home to open the fourth annual festival
By Mel Minter
A prophet may have no honor in his own country, but a bassist is a different story. Matt Brewer, who spent his formative years here but now resides in New York City, has the honor of opening the Albuquerque end of the 2009 New Mexico Jazz Festival at the Outpost Performance Space, and he’s bringing players who are helping to shape a new generation of jazz.
Half of The 2bers flies solo ... sort of
By Simon McCormack
Bles Infinite had one request before our interview about his new solo CD. His partner in crime had to be by his side.
Flyer on the Wall
Sputniq releases an album and embarks on a tour. The Oktober People, Zagadka and Reighnbeau do their part to flood Winning Coffee Co. with reverb on Friday, July 17. $3 donation. Creatures of all ages welcome. (Laura Marrich)
Stan Hirsch Compelled To Play · Edward Simon Trio Poesía
Stan Hirsch doesn't need anything fancy. He can take a beat-up guitar and an amp on its last legs and produce the best blues music in Albuquerque. The recording process for Compelled To Play consisted of Hirsch sitting down, picking up his guitar and playing. He didn’t attempt multiple takes or add backing tracks—nothing that would compromise the live feel of his record. Hirsch is a beast on the guitar, acoustic or electric, and his respect for honest, unfiltered craftsmanship runs deep. Whether reinterpreting Robert Johnson or fingerpicking through one of his moody originals, Hirsch's intimate understanding of his six-stringed companion is on full display. (SM)
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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