Music to Your Ears
By Laura Marrich
Last Call for Film + Music
You haven't you signed up for the Music in Film Summit yet? Sheesh. Friday and Saturday, Sept. 18 and 19, Downtown will host panels and parties devoted to getting your music on the big screen, and it's 100 percent free. But before you load up the jalopy and move to California, you need to RSVP in advance of the conference to email@example.com. Log on to newmexicomusic.org for the schedule.
Wet with sweat
By Simon McCormack
Antique Scream is a bluesy, '70s inspired psychedelic rock outfit. Or, as lead singer and guitarist Chris Rutledge puts it, "We're sweaty, balls-out rock 'n' roll, man."
Flyer on the Wall
MV & EE plays with sound in the form of electrified acoustic instruments (and vice-versa in Thurston Moore's trippy Ecstatic Peace! label recordings.) Burque’s A.G.L. and The Jeebies open what looks like the last show at 1Kind Studios (1016 Coal SW) on Tuesday, Sept. 22 ... :( . Cover is $5, jammage beings at 8:30 p.m. and it’s still all-ages. ... :) (Laura Marrich)
Jan McDonald Sweet
An obvious labor of love, Sweet is 11 tracks of swinging, straight-ahead jazz. Seven original compositions from Jan McDonald (trumpet, flumpet) and producers Bert Dalton (piano) and Jon Gagan (bass) present some of New Mexico’s musical heavyweights—all in in superb settings that range from a duo to a 12-piece orchestra. McDonald plays in a shaded tone with a spare, almost baroque lyricism and an emotionality deepened by its understatement. “My Funny Valentine,” which you probably thought you’d never want to hear again on the trumpet, gets a particularly restrained and touching reading that gives the “repeat” button a workout. The writing is often superb, as in “Sweet Thing,” “Sorry Bastard Blues,” and the opening title track (where trumpeter Bobby Shew’s bright, brassy sound complements McDonald’s darker tone)—all from McDonald’s pen.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
SlayBells Fire • Sam Pottorff • Grant Landis • Diegosaurs • Andrew Fontenot • Maddie Welborn • Alex Lee at Sunshine Theater
ABQ Jazz Orchestra • jazz at The CooperageMore Recommended Events ››