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LowLife Vids'n'Vinyl
LowLife Vids'n'Vinyl
 V.18 No.43 | October 22 - 28, 2009 
Dancers at last year's Lindy Exchange

Music to Your Ears

The Swing of Things

For more than a decade, Tuesday nights at the Heights Community Center (823 Buena Vista SE, southwest of Yale and Coal) have been Albuquerque's haven for swing dancing and the hopped-up, vintage music that compels it.

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Arts Interview

In a Landscape

DJ Spooky on Antarctica, economics and sound art

“I think of my work as a collision between philosophy and music and art, just like a mix.”

Read the complete interview.

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A murder of crows can’t out-creep Tech N9ne.

Wax Tracks

Tech N9ne

Tears of a clown

Rarely do face paint and hardcore rap seamlessly fit together, but for Kansas City’s Tech N9ne, it’s been his steez for the past two decades. The self-proclaimed “weirdo rapper” deals in fallen angels and other dark material that places him worlds apart from other MCs. It’s not all about bling, bitches or Bentleys—he rhymes like he’s narrating a horror film. Tech’s style murders the competition by combining wicked, tricky wordplay, melodic hooks and incredibly speedy rap. But the most impressive thing about Tech N9ne isn’t his music—it’s his work ethic.

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The “new” Michael Anthony Trio: bassist Robert “Milo” Jaramillo, guitarist Michael Anthony and drummer Andy Poling


Michael Anthony

Guitar Heroes

Guitarist Michael Anthony makes it a point to recognize the people who have influenced him along the way.

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[click to enlarge]

Flyer on the Wall

Nougat, Caramel, Orange Cream

For their birthdays, James and Mark get a Whitman’s sampler of psychedelic trails (Canyonlands, Arc Light), Brit-pop hooks (The Hollow Lines), electro beats (The Gatherers) and garage punk distortion (The Scrams). Basement Films ties them up with a big, graphic bow on Saturday, Oct. 24, at Burt’s Tiki Lounge (21+, free). (Laura Marrich)

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Sonic Reducer

The Scrams The Scrams · Dead Man's Bones Dead Man's Bones · Hockey Mind Chaos

Three cheers for new New Mexi rock and roll. More cheers for music pressed on wax. This vinyl 7-inch contains four Farfisa-driven, greasy garage tracks. Due to the prominent organ, it bears similarities to the first album by—and I know bands hate to be compared to other bands, but I can't not mention this—British ghouls The Horrors. The songs are short, sweet and dirty. There's even a dance craze. And it's all over too soon. For more, go see The Scrams live at Burt's Tiki Lounge this Saturday.

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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