Music to Your Ears
By Laura Marrich
The Swing of Things
For more than a decade, Tuesday nights at the Heights Community Center (823 Buena Vista SE, southwest of Yale and Coal) have been Albuquerque's haven for swing dancing and the hopped-up, vintage music that compels it.
In a Landscape
DJ Spooky on Antarctica, economics and sound art
“I think of my work as a collision between philosophy and music and art, just like a mix.”
Tears of a clown
By Kyle Eustice
Rarely do face paint and hardcore rap seamlessly fit together, but for Kansas City’s Tech N9ne, it’s been his steez for the past two decades. The self-proclaimed “weirdo rapper” deals in fallen angels and other dark material that places him worlds apart from other MCs. It’s not all about bling, bitches or Bentleys—he rhymes like he’s narrating a horror film. Tech’s style murders the competition by combining wicked, tricky wordplay, melodic hooks and incredibly speedy rap. But the most impressive thing about Tech N9ne isn’t his music—it’s his work ethic.
By Mel Minter
Guitarist Michael Anthony makes it a point to recognize the people who have influenced him along the way.
Flyer on the Wall
Nougat, Caramel, Orange Cream
For their birthdays, James and Mark get a Whitman’s sampler of psychedelic trails (Canyonlands, Arc Light), Brit-pop hooks (The Hollow Lines), electro beats (The Gatherers) and garage punk distortion (The Scrams). Basement Films ties them up with a big, graphic bow on Saturday, Oct. 24, at Burt’s Tiki Lounge (21+, free). (Laura Marrich)
The Scrams The Scrams · Dead Man's Bones Dead Man's Bones · Hockey Mind Chaos
Three cheers for new New Mexi rock and roll. More cheers for music pressed on wax. This vinyl 7-inch contains four Farfisa-driven, greasy garage tracks. Due to the prominent organ, it bears similarities to the first album by—and I know bands hate to be compared to other bands, but I can't not mention this—British ghouls The Horrors. The songs are short, sweet and dirty. There's even a dance craze. And it's all over too soon. For more, go see The Scrams live at Burt's Tiki Lounge this Saturday.
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Da Tierra Miega at The Blue Grasshopper Brew Pub
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