Alibi V.18 No.48 • Nov 26-Dec 2, 2009 ››
Riding a musical pegasus
First of all, I want to apologize for writing a technical article that's admittedly directed toward professional musicians. I've been playing excellent music for what many people say seems like an eternity.
Letter of Rejection
Dear Albuquerque Goth Scene,
We need to talk. I know it’s hard for you to tell how I'm feeling sometimes. I know you've grown used to pretty much constant stylized moodiness. But that's just the problem—you're self-absorbed and I'm tired of waiting for you to change. This is a very one-sided relationship. You never think of my wants or needs. You always listen to the same generic four-on-the-floor music ... and I know you do it in a sad attempt to attract impressionable 18 year-old girls.
I need change and variety in my life. I want to have good conversations and be introduced to new things and ideas. But your idea of change is resurrecting the 300-year-old corpse of the Marquis de Sade once a month. It's not fresh and subversive; it’s the same old chips, dips, chains and whips. You talk about the same old topics ... dungeons and dragons, and that VNV Nation concert you went to six years ago. You repeat the same stale party ideas when you feel the need to spice things up.
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Flyer on the Wall
This year give thanks for black vinyl pants, blue Manic Panic, German expressionism, legalized absinthe and Peter Murphy. Retro’s (1410 Wyoming NE), typically thought of as a mod affair, goes unpop tonight with DJ Sparquis and DJ Twig playing tracks culled from a variety of Gothic subgenres. This dark, 21-and-over holiday event is free. (Jessica Cassyle Carr)
Young Edward Tall Tales
· Beach House Teen Dream
· David Bowie Space Oddity (40th Anniversary Edition)
The first collection of originals recorded by Albuquerque’s own mutant bluegrass quartet, Young Edward—Robert Brettelle (guitar), Michael Polera (violin), Danny Garcia (bass), former Alibi editor Steven Robert Allen (banjo), everyone on vocals—won’t often astonish you, but it will make you real happy you stopped by. As insightful as they are quirky, the tunes conjure a world of sinners, losers, drunks, holy rollers and stinky-footed lovers—not to mention Albert Einstein—summoned by close, low-key harmonies, nice hooks, a feel for the blues and a terrifically offhanded live recording by Fast Heart Mart. Polera’s violin offers some particularly tasty work, from sweet to tart. (MM)
Anodyne jukebox-keeper Ross Source
Ross Source is Anodyne’s jack-of-all-trades. He’s steward of the Downtown bar’s diverse boozes and beers, caretaker of its inviting flora, manager of music, and an ideal person to play this game. Source is responsible for what was once, and what will soon be again, the best jukebox in Albuquerque. Below are random, shuffled selections from his vast music library.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.