Alibi V.18 No.53 • Dec 31-Jan 6, 2009 

Music Query

The Next Decade of Sound

As the aughts are filed away in the annals of time, we look to the future and consider what’s to come in the next decade. What will it sound like?

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Hazeldine ephemera

Dirt City Archives

I Hear the Sadness Holler

Long before punks turned to Americana, local Hazeldine (née Blister) played the finest y’allternative music on bills with hard rockin’ Burque outfits like Elephant and the Drags. Hazeldine held its own. After an especially hot set you’d feel pleasantly washed-out, as if you’d just seen a raucous punk show.

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[click to enlarge]

Flyer on the Wall

2010!

While many are doomed to stumble around pouring cheap Champagne all over their lumpy bodies while dodging falling ammunition, you have the opportunity to spend New Year’s Eve with some of the koolest and most artful Albuquerque citizens. The Scrams, A Hawk and a Hacksaw, Raven Chacon, Sorority and DJ Caterwaul perform Thursday, Dec. 31, at Wonderbread (1016 Coal SW). Festivities begin at 9 p.m. (Jessica Cassyle Carr)

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Music Playlist

Song Roulette

As a graphic artist, animator, toast-lover and member of the Alibi’s art department, Jeff Drew is a man of many hats—metaphorically and literally. When he’s not making art or analyzing the quality of various Downtown sandwiches, he makes jams under the name Caribou Music. He also has an excellent personal playlist series entitled Found Objects. Below is a sample of Drew’s shuffled tunes.

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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. …
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