Alibi V.19 No.9 • March 4-10, 2010 ››
Tenacious D’s Southern rock spin-off pulls into town
Do you love bands like Lynyrd Skynyrd, Molly Hatchet and ZZ Top as much as you love a fine woman with a towering perm who wears jeans cut so high the fabric reaches past that perm? Would you rather drink a six-pack of Bud on a lawn chair in the bed of your truck than sip wine at one of those fancy Olive Gardens? Does your arm bear the symbol of freedom that is an eagle sheathed in the American flag? If you answered any of these with a spirited “Shit Yeah!,” then read on, y'all.
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Flyer on the Wall
Hitch a Ride to Zoltansville
We’re not so sure what’s pictured in this flyer, but we’re guessing it’s some kind of Eastern European art car. Except everyone knows they don’t have cars in Eastern Europe—just vampires and Yugos. On Wednesday, March 10, Zoltan Szekely[xurl] and Josh English celebrate their birthdays. Beginning at 6 p.m., Black Market Goods (114 Morningside NE) hosts the music of Zoltan Orkestar, Le Chat Lunatique, Squash Blossom Boys and Totem. This all-ages show is $5. Happy birthday, lads. (Jessica Cassyle Carr)
The Album Leaf A Chorus of Storytellers
· Johnny Cash American VI: Ain't No Grave
· Free Pop "In Cool Time"
Few things (the Hope Diamond, a Picasso, cans of sardines) are better than a stray 7-inch record finding its way into your possession. The other day, Free Pop’s black, marbleized EP, “In Cool Time,” materialized on the Fisher Price record player that lives in the Alibi offices. The recording is strange with vibrato, ambient sound, heavy ukulele, tender ballads and some high-pitched singing reminiscent of creepy, mid-century children’s music. Behind this weird excellence are locals Matt Galindo, Zak Modell and Malinda Tryba. Track down Free Pop at the group’s next show and get this record. (JCC)
Returning from a hiatus, Song Roulette sought out the random selections of Ms. Jill McArthur—former drummer extraordinaire for a handful of lauded local bands including The Foxx, The Grave of Nobody’s Darling and The Mindy Set. (She’s also a stylist responsible for many beautiful haircuts, and she’s a snappy dresser, too.) At the end of this month Jill picks up and moves to New York City. We bid her a fond farewell and wish her the best of luck in the big city.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.