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 V.19 No.10 | March 11 - 17, 2010 
Daedelus Darling
Mighty Tiger

Music to Your Ears

Mighty Tiger

SXSW season has arrived, and you know what that means: During the next couple of weeks a disproportionate number of touring bands will be making pit stops in Albuquerque on their way to and from Austin. Among the packs of troubadours is a little piece of old Albuquerque. Two thirds of Mighty Tiger, a dreamy rock band from Seattle, is comprised of one half of the late Oh, Ranger!—Boyd Reno and Luke Heath. Imbued with the Reno-and-Heath touch—sad guitar and cheeky lyrics placed in a squirming pop context—Mighty Tiger is ever-so-slightly reminicent of their earlier local projects, but with more mature, higher fidelity results. See Mighty Tiger perform live on Tuesday, March 16, at Low Spirits (2823 Second Street NW) with fellow Seattleite Grand Hallway, along with Albuquerque's Bellemah and The Giranimals. The show begins at 9 p.m. and $5 gets you in.

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Alfred Darlington   avec   accordion

Spotlight

Daedelus Darling

When Victorian dandyism and new media art collide

Describing the work of Alfred Darlington, known on stage as Daedelus, is no easy task. The experimental Los Angeles-based, Ninja Tune-backed electronic musician and producer inhabits realms of emerging technologies, oxymoronic juxtapositions and avant sound. A vanguard concerned with invention, he was among the first to use an instrument called a Monome box in live performance, all the while dressed like a 19th century sophisticate. Prior to his first performance in New Mexico, we questioned Darlington by means of electronic communiqué.

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The Scrams

Show Up!

Southwest by Northwest

The Scrams, The Dirty Novels and Broken Water at Burt’s Tiki Lounge

How long has it been since a band has not only hit Burque but hit it over the head, taken it hapless prisoner in a trashed garage and subjected its collective ears to hip-swivel rock? Fifteen years and change I’d say, harking back to the lo-fi ruckus of The Drags when it was acceptable to not only rock but to roll. The Scrams haven’t forgotten that a band can maintain dance-worthy melody while playing as loose as a pair of two dollar shoes. No costumes, no front, no shtick but a pure adrenaline injection to your spinal cortex that dares your feet to stay still. You can see it happen live this Saturday on a triple-threat bill at Burt’s.

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[click to enlarge]

Flyer on the Wall

ABQ SWXØ Fest 2010

During the last half of this month, various underground entities will do their best to jointly exploit the talents of local lunatics and the wealth of weirdos traveling to Texas in an event known as Albuquerque Southwest by No Fest. Show info can be found at www.myspace.com/albuquerquediy.

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Sonic Reducer

Black Francis NonStopErotik · Pavement Quarantine the Past: The Best of Pavement · Blank Generation (film)

Like all of Black Francis’ solo career, NonStopErotik is stylistically all over the place. The album misleadingly starts with unexceptional alt. rock that harkens back to ’90s bands like the Toadies. Then it spans sexy Ween-esque synth ballads, bug-eyed surf noir and explosive rock that could only be called sweet noise. “We all got wheels to take ourselves away ... come on wheels, take this boy away,” the gigantic-voiced Francis sings on “Wheels.” You sometimes get to wondering what the legendary Pixies frontman’s personal life is like, spending sleepless nights recording this debaucherous long-play in Brooklyn, L.A. and London. In the album’s press release, Francis wrote “I want to be all inside you ... sucking at the only thing that matters”; NonStopErotik gets my vote of approval, but don’t blame me if you feel violated.

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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