Alibi V.19 No.14 • April 8-14, 2010 
The girl can’t help it.

Spotlight

Gretchen Parlato: A Voice to Call Her Own

When vocalist Gretchen Parlato performs a song, she doesn’t so much inhabit it as become inhabited by it, living and breathing a musical and emotional life that is inseparable from the artist. Her singing is personal, and therefore it’s immediate and resonant—and because of that, apparently artless.

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Myles Boisen mylesboisen.com

Show Up!

Geek Glam

Zoe Boekbinder makes music for people who like to wear sequins to the library

When I first heard Zoe Boekbinder’s beautiful Artichoke Perfume, I thought it sounded like the musical child of Jolie Holland and Joanna Newsom had joined the circus and made an album. Not only do other people compare her to Holland, Boekbinder (pronounced “Bookbinder”) lists the musician as an influence, too. But the Oakland-based Canadian is hesitant to label her sound.

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Luís Guerra and Amani Malaika

Jazzed

A Little More Experimental, a Little More Eclectic

Jazz, Deconstructed series explores jazz’ roots and branches

Jazz, Deconstructed, a new four-concert series, features local artists with visionary projects that stretch from New Orleans’ Congo Square to an electrocoustic jazz/hip-hop detente.

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[click to enlarge]

Flyer on the Wall

Sexy Springtime

She beckons with her ... eyes. Also, her tetas. One of the best things about Atomic Cantina (315 Gold SW) is that there’s continuously been local art on the punk rock bar’s walls since it opened in May 2003. (Do we smell a birthday coming on?) Atomic’s not afraid to hang pop art, risqué or abstract, along with other beautiful and weird works by 505 faves. This month, drop by to see paintings by Christina Aristmuño, David Gatt, Megan Cronin, John Henry Hansen, Amanda Banker, Heather Cronin, Sunita Aristmuño, George Evans, Rodney Ibarra, Jay Smithline and Melinda Casey; photography by Crystal Sims, John Salazar and Nathan Paolinelli; ink work by Jeff Hayes; and mixed media by Kevin Hopper and Sharon Chang. (Marisa Demarco)

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Sonic Reducer

The Grateful Dead Crimson, White & Indigo · The Freak Out List, DVD

Despite the stereotypically cheesy cover art that will probably shoo away non-Deadheads (as usual), Crimson, White & Indigo (or “7/7/89”) includes a whole lot more than the mindless hippie drool suggested by the horrible ponytails worn by Mickey Hart, Bob Weir and Jerry Garcia at the time. Just one year before his fatal drug overdose, keyboardist Brent Mydland delivered an improvised monologue that was both uplifting and jarring during “Blow Away” and was really the MVP of this charged evening in Philly. The band also covered Willie Dixon, James “Sugar Boy” Crawford and Bob Dylan, and mesmerized the huge audience with its often-peaking space-folk, highlighted by poet Robert Hunter’s powerful lyrics in “Box of Rain” and “Wharf Rat.” Proof that the Dead were an impressively diverse and effectual band well after the ’60s.

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Image courtesy of the artist

EVENT HORIZON ()

The Best Thing Since Starks and Clark Wallabees

Wu-Tang Wednesdays • DJ Zemo-G • hip-hop

Bobby Boulders says you ought to jump off and report to the gravel pit. Though such instructions may seem mysterious to the casual observer, we're pretty sure the dude means you ought to ch-check out Wu-Tang Wednesdays at Dialogue Brewing. During such chokin', smokin' and hopin' times you can guarantee to get your fill of OG, old school hip-hop as well as classic jams by those fine fellows from Staten Island. There are two sessions left, dear readers, on Dec. 19 and Dec. 26. Beginning at 7pm—and for free—you can trust DJ Zemo-G to do you and your homies right with tuneage that kills all evil whilst promoting a danceable, jewel-encrusted future. Drinking some of the finest barley pop in town might help you fill your tank, too. You know what I'm saying, right? Step into the groove, right now, boo. Plus, There's no cover for this 21+ hip-hop party; that's what I'm talking about!
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