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 V.19 No.24 | June 17 - 23, 2010 
The Prids are snappy dressers.
Circle23 Photography

Spotlight

The Prids

The most radiant gloom you’ve ever heard

Despite relentless recording sessions, not long ago it seemed like no one could keep the Prids away from Albuquerque. In 2003 and 2004, the band played here every eight or nine months. Not that anyone was complaining, mind you. In fact, bassist Mistina La Fave and guitarist/lyricist David Frederickson have cited New Mexico as one of their favorite stops due to the always warm and grateful reception they’ve gotten in the Dirt City. In 2008 a nearly fatal van accident threatened to halt the constant gigging, but the band recovered and jumped back on the road. Unlike many outfits that eventually retreat to the relative calm of the studio, it’s unimaginable to think of the Prids not touring. The only thing that trumps the band’s 10 CDs, EPs and 7-inches is its galvanizing live shows.

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Mmm, delicious words

Aural Fixation

Break Beat Poetica

Idris Goodwin is a hip-hop sundae

Idris Goodwin is the Neapolitan ice cream of words. He’s a rapper, an HBO Def Poet and an award-winning writer. His material mixes and serves the best elements of these genres. He’s also a “hip-hop educator” who has lectured in institutions across the country on themes like culture and empowerment. Literary journals have published him and clubs have played his music. Goodwin is from Chicago but has duel residence in Illinois and New Mexico. The cherry on top is that he’ll perform as part of the Wordstream Poetry Series at the Harwood Art Center on Friday, June 18. (Full disclosure: In 2006 I acted in Goodwin’s play Braising.)

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Ella Fitzgerald

Jazzed

Women’s Voices Change

Popular series gets a makeover

The 2010 edition of Women’s Voices, the nearly annual concert series that showcases the area’s exceptional female vocal talent, introduces new curators, a new concept and a new schedule. The series will forgo the usual smorgasbord of pop, jazz and blues on back-to-back nights to offer two distinctly different events. The first is Ladies Sing the Blues on Saturday, June 19, curated by Joan Cere (formerly Griffin). The second is Tribute to Ella Fitzgerald, Billie Holiday and Sarah Vaughan on Saturday, July 10, curated by Patty Stephens.

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[click to enlarge]

Flyer on the Wall

Raw Art

Done in coarse permanent marker with proletarian flare, this outsider art depicts a blown-out umbrella amidst a downpour. Or does it? Perhaps, rather, it’s an elephant eating grass? Or maybe it’s purely abstract. What’s certain is the performance of lo-fi San Francisco indie bands Telephone Hat and Filbert, along with Albuquerque’s CanyonLands, at Winning Coffee Co. (111 Harvard SE) on Friday, June 18, at 7 p.m. This event is all-ages and free to the people. (Jessica Cassyle Carr)

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Sonic Reducer

Evan Christopher The Remembering Song · Sea Wolf White Water, White Bloom · Art of Flying THOUGH the LIGHT seem SMALL

Evan Christopher long ago established his technical mastery of the clarinet—tone, nuance (emotions subdivided into their millionth parts), phrasing. To that, he adds a scholar’s curiosity, an artist’s sensibility and a capacity for deep feeling. They all come together in his masterwork, The Remembering Song, inspired by his return to New Orleans post-Katrina. This luminous recording, eight of whose 12 tracks are Christopher originals, captures the gratitude, pride, sorrow, anger, resolve, resignation, hope and celebration that quickens the Crescent City today. With help from Bucky Pizzarelli (guitar), James Chirillo (guitar) and Greg Cohen (bass), Christopher reflects profoundly and gently on the city’s tradition and both its historic and its metaphorical longing for home. “Waltz for All Souls” would test the limits of Odysseus tied to the mast. No sirens ever sang so beautifully. (MM)

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Chevelle
Courtesy Epic Records

EVENT HORIZON (Tuesday, Jan 24)

Not Just Red

Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock

Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
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Courtesy of Mono/Poly Facebook Page

EVENT HORIZON (Thursday, Jan 26)

Open Your Lungs, Wash Your Countenance, Exercise Your Eyes and Soften Your Temper

Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave

Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
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Squash Blossom Boys
Photo by Wes Naman

EVENT HORIZON (Friday, Jan 27)

Go Like the River

Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk

The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.  
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