Alibi V.19 No.28 • July 15-21, 2010 ››
Let the Tribes Unite!
Etran Finatawa brings nomad blues from the Sahara
Niger, a landlocked West African country roughly twice the size of Texas, is one of the poorest places in the world. Mostly covered by desert, this hot, dusty zone is home to multiple ethnic groups, many of which are still nomadic. They lead their camels, cattle and goats along the edge of the Sahara in search of savanna pastures and water sources, sometimes clashing over limited resources. Two such groups are the Tuareg and the Wodaabe, who each have their own histories, social structures and religious beliefs.
Quintron, Miss Pussycat and a Tire Shop Named St. Claude
Scene 1 of Tennessee Williams’ magnum opus A Streetcar Named Desire opens with an introduction to the New Orleans neighborhood where the play unfolds. Williams lovingly illuminates the city's beautiful decay, omnipresent river and music around every corner. “The section is poor," he writes, "but, unlike corresponding sections in other American cities, it has a raffish charm. The houses are mostly white frame, weathered grey, with rickety outside stairs and galleries and quaintly ornamented gables."
Dirt City Archives
Here Comes Trouble
The Eyeliners vs. Psychodrama
Despite the inevitable dirty old men in the audience, The Eyeliners didn’t draw attention to gender. Sisters Gel, Lisa and Laura debuted as Psychodrama, certainly not a name that screams “girl band!” Nor did they emulate the pandering jailbait image that the girls of The Donnas milked successfully well into their 20s. There were no baby doll dresses or torn fishnets. Instead they wore tees, hoodies and high-top Chuck Taylors. All Psychodrama wanted was to rock out and have fun.
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Flyer on the Wall
Go to Hell
Conjuring Victorian-era occult imagery, this ephemeral graphic notes the coming of Reverend Beat-Man. The Bern, Switzerland-based blues trash preacher is a one-man band, the founder of garage punk record label Voodoo Rhythm Records and a servant of the Church of Rock and Roll. See the Reverend in Santa Fe on Thursday, July 15, at 9 p.m. He’ll be performing alongside the comparably spooky New Zealander Delaney Davidson. The seance—$5 admission—will take place at Little Wing (at The Candyman Strings & Things, 851 St. Michael's Drive, Santa Fe). (Jessica Cassyle Carr)
Rob Nakai is a vocalist and guitarist for Albuquerque bands Holiday Sail and Bat Wings For Lab Rats. The latter, a four-piece that melds diverse genres like punk, hip-hop, metal and funk, releases its debut album Punk • Hop • A • Delic at the Launchpad on Saturday, July 17. Below you’ll find an equally diverse sampling of Nakai’s music collection, selected at random.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.