The Albuquerque Sound
Raven Chacon curates the city’s underground
By Jessica Cassyle Carr
In life there are certain truths: What goes up must come down, all's fair in love and war, a stitch in time saves nine and one who makes a synthesizer out of a cougar pelt is wicked awesome. Musician, teacher and installation artist Raven Chacon is familiar with the latter, having made just that as part of a Winnipeg-based project by his interdisciplinary American Indian arts collective, Postcommodity. When the piece is pet, the pelt synth purrs, and when it’s twisted it raars. The group also fashioned an antler cello and antler harp, and made a drum from a boar bladder and a coffee can. The instruments, says Chacon, are meant to be played by a futuristic tribe representing the last of its culture.
Music to Your Ears
By Jessica Cassyle Carr
Long before the BP oil spill disaster, and even before Hurricane Katrina and that skank Rita ripped through the Gulf Coast five years ago, the Louisiana shores were already suffering. “Since 1900,” says the Coalition to Restore Coastal Louisiana, “Louisiana has lost more than 1 million acres of wetlands and barrier shoreline as a result of natural processes and human activity.” Louisiana’s land loss not only compromises habitat for fish and wildlife, but it removes a natural buffer against storms. With oil smeared all over the problem, the situation is truly horrifying.
Birds & Batteries lands at Low Spirits
By Summer Olsson
Imagine you’re in one of those centrifuge rides at the state fair and the blaring theme music is some sort of ’70s rock. The cylinder spins faster and faster, pressing you against the wall and lifting your feet off the floor. On every rotation, as you whip past the speakers, your ears catch a blur of electric guitars. The centrifuge is also next to the funhouse, so high-pitched synth melodies, drum machine hits, and other electronic bleeps and blips swirl past you. Suspended next to you on the ride, your friend, who happens to have a lovely voice, is telling you loudly about a dream he had last night. Floating in space, enveloped in this musical blend, is what it’s like to listen to Birds & Batteries.
Flyer on the Wall
Dead and Alive
The head of an Old Testament villainess depicted in ’80s religious workbook style wears the body of a runway model and the pants of a David Bowie and proves that, yes, mixing silvers with golds is often a good idea. This figure represents Post Burial, a monthly psych / glam / post-punk / goth / new wave night taking place at Blackbird Buvette (509 Central NW) on Saturday, Aug. 7, at 9 p.m. DJ Evan and others provide the music, and it’s free. (Jessica Cassyle Carr)
The Suite Unraveling "Music For Robots 1" · Miracle Condition Miracle Condition · La Bestia Rosa "Manera Nueva"
The latest incarnation of The Suite Unraveling—Lily Maase (guitar), Michael Kammers (sax), Greg Heffernan (cello), Alex Mallett (bass), Nico Dann (drums), with guest vocalist Sunny Kim—takes a prog-rock approach but rejects the genre’s tendency toward precious self-consciousness. Of course, the band plays Maase’s remarkable, fearless compositions, which are anything but precious or self-conscious. With an exceptional ear for timbral values, especially the sonic interplay between sax and cello, she orchestrates expressive textures alive with rhythmic impulse. Prog-rock it may be, but it rests on a strong jazz foundation and an unselfish approach from every participant. Turn it up. (MM)
Dada Life Press Photo
Dada Life • electronic, house
By Joshua Lee
This is not a DJ duo from Sweden. Wait. No. Actually, it is. Sorry, I got carried away. Dada Life is one of the biggest DJ acts in the world. I don't really know what that entails, though, to be honest. It involves dancing, I think. And auto-tune. But I don't really care, because these guys are hilarious. Their logo is a champagne bottle flanked by two peeled bananas. They have press photos involving pastel suits and Sears family photo-style ambiguous cloudy backgrounds, and one showing member Stefan Engblom shoving an oversized piece of meat into member Olle Cornéer's straining face while giving words of encouragement. That's funny. And anyone that funny deserves a show of your support, which you will have a chance to display when they come to The Stage this Friday, Sept. 2, at 9pm. If you're over 21, purchase a $25-$35 ticket, get your ass down there and let these boys know how appreciative you are of their comic genius. Oh. And let them know you like their music (even if you're old and don't get it, like me).
Kid Dinosaur • indie rock • St. Petersburg • Cry Steve Cry • psychedelic, surf Americana • Sweet Nothin' • punk rock
By Desiree Garcia
Is a Burqueño actually a Burqueño if they don't support their local artists? If you're unsure, the band Kid Dinosaur will be headlining a show at the Launchpad this Friday, Sept. 2. Doors open at 8pm. It's a 21+ show, because what's a show without a little liquid courage (just for dancing, though)? It's only $5 to support these local indie rockers. Performances will also include St. Petersburg, Cry Steve Cry and Sweet Nothin'.
Courtesy of Watsky Instagram
Watsky • Witt Lowry • hip-hop • Daye Jack • rap • Chukwudi Hodge
By Renée Chavez
In search of rap that's about more than hoes and getting turnt at the club? Cruise over to Sunshine Theater on Saturday, Sept. 3, to experience WATSKY, Witt Lowry, Daye Jack and Chuckwudi Hodge. George Watsky is a spoken word artist, rapper, poet and author who has just released his newest studio album, x Infinity, and let me tell ya, he's rad. Don't believe me? Check out his performance as Shakespeare in “Epic Rap Battles of History,” the flaming-hot “Whoa Whoa Whoa” from All You Can Do, or the fact that he won the Brave New Voices National Poetry Slam in 2006. He tackles complex issues like school shootings, politics, immigration, social media and the bizarreness of the modern human experience with wit and a badass beat. Tickets are $20 for general admission to this all-ages show and doors open at 7pm.
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