Maggie Ross’ organically grown universe
Sometimes the right person for the job has to be imported. When the late Felix Wurman needed someone to manage The Kosmos performance space, he summoned Austin expatriate Maggie Ross. In a year’s time, Ross has made the space a versatile tool, a virtual Swiss Army Knife for the community with live rock shows, chamber music, yoga classes, movies, poetry readings and a full coffee bar. I managed to catch up with the industrious Ross (no easy task) for some Q-and-A.
The Folks Get Freaky
Lucid dreaming with CocoRosie
You’re wandering through a labyrinthine mansion, lured on by eerily seductive voices. Spider webs audibly brush your cheeks and chimes ring out all around as you stumble into a room painted with murals of unicorns and rainbows. Some kind of plastic box emits scratchy beats and two beautiful sirens with mustaches and goatees beckon you with nonsense words. Crickets or perhaps a ceiling fan whir in the background. Did you watch a David Lynch movie right before bed? No, but you could’ve been listening to CocoRosie.
Whatever, whenever, wherever you want it to be
As Friedrich Nietzsche attests, "There are no facts, only interpretations." Maybe a newspaper is not the best forum for this idea, but the vast world of art can’t help but create infinite lenses through which we can observe the world.
Flyer on the Wall
An Ocean of Ska
Put on your antique deep-sea diving suit (everyone has one lying around somewhere) and take a trip under zee zea to a magical land where two-tone ska and Latin indie music intermingle with anemone/clown-fish symbiosis. The Blue Hornets and Con Razon perform on Saturday, Oct. 2, at Low Spirits (2823 Second Street NW) at 9 p.m. for a petite $5 cover charge. (Jessica Cassyle Carr)
Self-described “cyberdelic pop,” Albuquerque’s latest synthbeat group The Gatherers has rapidly—and deservedly—become a local favorite. Dreamy female/male vocals are tidily mixed with the sublime instrumentation of live (yes!) bass and drums, keys, loops and lots of knob twisting on little black boxes. A few tracks off this debut CD (especially “Dark Triangle”) have a great Ladytron feel, and that’s as high a compliment as can be given to any synthpop band. As good as Kurt Russell is, it barely hints at the brilliant live shows of The Gatherers. There’s more recordings to come soon. Expect major things.